A Quote by Patrick Rothfuss

As a writer, I first felt successful before I was published. — © Patrick Rothfuss
As a writer, I first felt successful before I was published.
My last point about getting started as a writer: do something first, good or bad, successful or not, and write it up before approaching an editor. The best introduction to an editor is your own written work, published or not. I traveled across Siberia on my own money before ever approaching an editor; I wrote my first book, Siberian Dawn, without knowing a single editor, with no idea of how to get it published. I had to risk my life on the Congo before selling my first magazine story. If the rebel spirit dwells within you, you won't wait for an invitation, you'll invade and take no hostages.
It's my belief that I was a writer - a very hardworking writer - well before I was published. I did care what others thought, and it was embarrassing when people asked me what I had published, so I didn't talk much about writing; rather, I just kept writing.
In the end, the difference between a published writer and an unpublished one comes down to one thing: The unpublished writer gave up, and the published writer didn't.
Sometimes, in my published complaints about not being a writer, I have recalled the prospect - the yearning to be a writer - as it first formed for me.
The realization that you're not always standing down there on the field merely to win, to be successful, was very liberating. One can be successful by helping the team, the other players. All of a sudden I felt the kind of empathy for people that I hadn't felt before.
I always grew up with the idea that in order to be a successful writer, I should have a book published.
In the usual way I submitted manuscripts to publishers. This was not so much a feeling that I should be published as a wish to escape the feared and hated drudgery of "normal" work. In my twenties some of my work for children was published by Macmillan. However, I was twenty-seven before my adult novel, The Birthgrave, was taken by DAW Books in the USA. This enabled me finally to stop doing stupid and soul-killing jobs, and start working day and night as a professional writer. It felt like a rescue from damnation, and still does.
All I've wanted to do is write. In school I just wanted to be a writer but I was afraid to be a writer because I felt I couldn't. It didn't really feel like my writing was interesting enough, so getting a book published was a huge kick.
Ray Bradbury published his first story 29 years before I was born. He established himself as an international writer long before I arrived. When my mom was nine months pregnant with me, my father read Bradbury aloud to her as I listened intently, in utero. And I later became his biographer.
I was writing everything. I grew up in Albany, New York, and I was never any farther west than Syracuse, and I wrote Westerns. I wrote tiny little slices of life, sent them off to The Sewanee Review, and they always sent them back. For the first 10 years I was published, I'd say, "I'm a writer disguised as a mystery writer." But then I look back, and well, maybe I'm a mystery writer. You tend to go where you're liked, so when the mysteries were being published, I did more of them.
I was writing at a really young age, but it took me a long time to be brave enough to become a published writer, or to try to become a published writer. It's a very public way to fail. And I was kind of scared, so I started out as a ghost writer, and I wrote for other series, like Disney 'Aladdin' and 'Sweet Valley' and books like that.
I wasn't entitled to dream so big. The idea of me being a writer wasn't even possible in my mind. Even when I began to write and first published, I couldn't call myself a writer.
Tove Jansson was the most successful Finnish illustrator and writer of children's books of her day, and she was the most widely read Finn abroad. She began her life as an artist early - she had her first drawing published at fifteen.
The nightmare of censorship has always cast a shadow over my thoughts. Both under the previous state and under the Islamic state, I have said again and again that, when there is an apparatus for censorship that filters all writing, an apparatus comes into being in every writer's mind that says: "Don't write this, they won't allow it to be published." But the true writer must ignore these murmurings. The true writer must write. In the end, it will be published one day, on the condition that the writer writes the truth and does not dissemble.
I started studying successful people a lot of successful people and the first thing they told me you first have to believe it in here before you see it out here.
Every published writer suffers through that first draft because most of the time, that's a disappointment.
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