A Quote by Patrick Rothfuss

However, while being able to think about two things at the same time is a terribly convenient, the training it takes to get there is frustrating at best, and at other times rather disturbing. I remember one time I looked for the stone for almost an hour before I consented to ask the other half of me where I'd hidden it, only to find I hadn't hidden the stone at all. I had merely been waiting to see how long I would look before giving up. Have you ever been annoyed and amused with yourself at the same time? It's an interesting feeling, to say the very least.
Every thing thinks, but according to its complexity. If this is so, then stones also think...and this stone thinks only I stone, I stone, I stone. But perhaps it cannot even say I. It thinks: Stone, stone, stone... God enjoys being All, as this stone enjoys being almost nothing, but since it knows no other way of being, it is pleased with its own way, eternally satisfied with itself.
Hidden in all good fortune is misfortune. And in all misfortune is good fortune. It's never going to stay the same as long you are in the world or unless you die while you are alive and become an enlightened Zen Master. But those people don't exist. When you study their lives, you find that they had the same struggles as the rest of us. It's not so much about being able to always have calm. Calmness isn't just the absence of noise or troubles. It's being able to find calm within yourself when other stuff is going on.
I don't quite recollect how many tumblers of whiskey toddy each man drank after supper; but this I know, that about one o'clock in the morning, the baillie's grown-up son became insensible while attempting the first verse of 'Willie brewed a peck o' maut'; and he having been, for half an hour before, the only other man visible above the mahogany, it occurred to my uncle that it was almost time to think about going.
I cut off your hand. I have been living with your grief and your rage and your pain ever since. I don't think-I don't think I had felt anything for a long time before that, but those emotions at least were familiar to me. Love I am not familiar with. I didn't recognize that feeling until I thought I had lost you in Ephrata. And when I thought I was losing you a second time, I realized I would give up anything to keep you-my lip service to other gods, but my pride, too, and my rage at all gods, everything for you.
It amazes me how easy it is for things to change, how easy it is to start off down the same road you always take and wind up somewhere new. Just one false step, one pause, one detour, and you end up with new friends or a bad reputation or a boyfriend or a breakup. It's never occurred to me before; I've never been able to see it. And it makes me feel, weirdly, like maybe all of these different possibilities exist at the same time, like each moment we live has a thousand other moments layered underneath it that look different.
I remember in high school, I ate some nachos probably like an hour, half-hour before the game, and it's kind of gross, but a little of it came up while I was running - you know you get that burp - and I literally coughed at the same time, and it got caught in my nose, and it was during the game.
A canteen I remember vividly, and maybe one other thing, I can't remember. And I knew then that he had bought them in an army surplus store that day and he wanted to maybe enhance himself in my eyes, and say, "Well, yes, I have been in the army." Or [he] simply just didn't want to disappoint me. It could have been one or the other. But I knew that he had lied to me. And this filled me with a tremendous sort of anger towards him. At the same time, knowing he was trying to please me, so feeling good about him.
I used to say to my dad, 'How did you and Mom stay married for all this time?' and he'd say, 'Two things. Number one: You gotta have the same dreams. One person can't be daydreaming about walking down the street in Paris, the other person want to work in a coal mine. Number two: We never wanted to get divorced at the same time.'
Music had been going on a long time before that. You have to remember that before rock n' roll there were a bunch of jazz musicians all doing heroin. That sh*t has been around a long time.
I wondered how I was going to do it and keep my job at Rolling Stone at the same time. They were very nice, and they let me disappear for two days a week for a couple of hours. That's how long shooting was.
On Sharon Stone (Quick and the Dead): 'She was instrumental about me getting my first American job. Absolutely, without her support, it would not have happened. At the same time, however, was it really about me or her wanting to flex her producerial muscles? I don't want to sound ungallant about the situation. But I didn't find that in working with her, that we clicked on any other level.
The road and the tale have both been long, would you not say so? The trip has been long and the cost has been high... but no great thing was ever attained easily. A long tale, like a tall Tower, must be built a stone at a time.
Very often people looking at my pictures say, 'You must have had to wait a long time to get that cloud just right (or that shadow, or the light).' As a matter of fact, I almost never wait, that is, unless I can see that the thing will be right in a few minutes. But if I must wait an hour for the shadow to move, or the light to change, or the cow to graze in the other direction, then I put up my camera and go on, knowing that I am likely to find three subjects just as good in the same hour.
Some of the best auditions I've ever had have been when my agent called and said, "They want you 20 minutes ago, in an office in Century City, to see you for something." It's actually sometimes a really good thing. I don't have time to second-guess myself, I don't have time to overthink things, and I don't have time to get bogged down in stuff. I'm not sitting there thinking for a week and a half, before I'm supposed to go in front of a network president to do something. That just gives you time to be nervous.
So, it's a delicate thing, but at the same time our producers and writers are very much aware of the potential downfall that could ensue so I think they're going to be very careful about how they do that. At the same time I don't think they want to leave the characters in the same holding pattern that they've been in for a while. I think that they're all trying to put the characters in a different situation.
The only crying shame about it is, when good things happen to you, you run short of time. It takes the same amount of time, however, to tell people, 'It's good to see you again. I'm sorry we only have a minute to talk,' as it does to say, 'I don't have time to talk with you' period.
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