A Quote by Patrick Rothfuss
When you're 14, anything with a sword and a dragon is pretty cool. But when you're 21 and you've read 2,000 fantasy novels, you start to realize that some of those books, well, they weren't really good. OK, let's be honest. A lot of them were crap.
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I read a lot of the 'Pern books' growing up - basically up through 'All the Weyrs of Pern,' maybe a couple after that. As far as formative dragon influences are concerned, she's probably one of the top ones; I know I read other fantasy novels that had them, but none particularly stick in mind.
I didn't read much of anything till I was 15, except Alistair MacLean and Michael Moorcock - the sword and sorcery novels - when I was about 13 or 14.
If you are going to write, say, fantasy - stop reading fantasy. You've already read too much. Read other things; read westerns, read history, read anything that seems interesting, because if you only read fantasy and then you start to write fantasy, all you're going to do is recycle the same old stuff and move it around a bit.
I don't really read a lot. I got a few Booker Prize books and some others and thought I'd try this but quite quickly I just stick them down. I do like some Stephen King books but with some of them I just put them down as well. But I'm like that with telly stuff as well and films or music.
Corsets do look so pretty. Once I watched it, I was like, "Well, they do look nicer than the way I do normally," but they're really uncomfortable. You start to realize why women would pass out. We had the real ones, and they were just awful. At one point, I was like, "I think that's my spleen that this is digging into." So, if I had a nightgown, that was always really comfy. I had a few coats that I thought were pretty cool.
When I was a teenager, what I most wanted to read were fantasy novels. Not Tolkien and Malory, but sword-and-sorcery pulp. I craved glowy blue magic, chainmail bikinis, dragons with unpronounceable names.
I've done a lot of books with Asian antecedents to them - some of my fantasy novels have been that way, and certainly in the 'Battletech' universe, there's a lot of Asian culture in that.
I read all types of books. I read Christian books, I read black novels, I read religious books. I read stuff like 'Rich Dad, Poor Dad' and 'The Dictator's Handbook' and then I turned around and read science-fiction novels.
I actually don't read comic books. I did when I was a kid - I used to read a lot of 'X-Men' comic books. I read a couple 'Scott Pilgrim' this past year, and those are really good, but I don't read in general, unfortunately.
I've read every single fantasy novel there is. I mean, I would challenge a lot of people to read more fantasy novels than I have.
They've got lots of theories, books, sciences - I've read a lot of those books. Most of them are pretty unhappy.
There are loads of novels that I really love, like Haruki Murakami's books, and when I read them, I do think about how they would work as an anime. But I do believe that those are great books because they work best as novels, or great manga work best in that form.
As an adolescent I wrote comic books, because I read lots of them, and fantasy novels set in Malaysia and Central Africa.
The current publishing scene is extremely good for the big, popular books. They sell them brilliantly, market them and all that. It is not good for the little books. And really valuable books have been allowed to go out of print. In the old days, the publishers knew that these difficult books, the books that appeal only to a minority, were very productive in the long run. Because they're probably the books that will be read in the next generation.
I get the fantasy league comment a couple of times a series ... that's pretty cool. They might be rooting for the other team, but if I do well it helps them out. It's kind of cool.
If fantasy is done well, it has both serious content in a literary fashion and is a really good read as well - and children and young adults won't suffer anything else.
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