A Quote by Patrick Stewart

As the captain, I was going to be having the dominant role in most of the episodes, and that was appealing. I wasn't interested in coming to Hollywood to sit around. — © Patrick Stewart
As the captain, I was going to be having the dominant role in most of the episodes, and that was appealing. I wasn't interested in coming to Hollywood to sit around.
What's wonderful about 'Star Trek' having been rebooted so successfully by the J. J. Abrams movie franchise is that - the corollary effect is that it creates a new generation of fans, and they're interested in all of it. They don't just sit around and wait for the next movie to come out; they'll go back and re-examine episodes.
I can't imagine that anyone in Hollywood is sitting around trying to decide what actor is good or right or qualified for a role and is being denied a role because of their political views. I don't think that's the way Hollywood works. We're not living in an era of blacklisting.
Most of the work that I have done for the American Hollywood things have not been in Hollywood. The studios are going out in Europe or around the place working.
In fact, most of the work that I have done for the American Hollywood things have not been in Hollywood. The studios are going out in Europe or around the place working.
I can't sit around having coffee. I have all these appointments, and a lot of my friends sit around having coffee talking about the jobs they didn't get.
I don't want to become more famous than what I am. I'm not interested in being in movies that are going to be shown all around the world and get a massive audience, so I'm interested in doing foreign movies as long as it stays an exceptional case and is exotic, but I don't want to go there [Hollywood].
There was so much talk about the movie and we thought, "Wouldn't it be great to still do the movie, but to give everybody this thing they didn't see coming?" Even with the number of episodes, it was reported that there was going to be 10 episodes, and then there was talk about adding more.
The dominant theory coming out of Hollywood is that peoples' attention spans are getting shorter and shorter and they need more stimulation.
You have this big challenge going on within the Democratic Party, and many of them coming into the Greens. So there is the potential for a really profound realignment here. And remember most of this is going on with most voters not having any idea who our campaign is.
Ron Moore. He was the guy that on our show and Deep Space Nine wrote the best Klingon episodes. He wrote great episodes in general but he wrote the best Klingon episodes. I always could tell when he was going to write a Klingon episode because he was able to grow a beard really quick and I’d see him with the beard, like a Worf-beard, and I go "Ah, Klingon episode coming up!" and he goes "Oh yeah."
So we [with Chris Ellis] did [Fresh Hell], and we did the first five episodes as a lark, just to see if anybody would respond or be interested, and we got enough feedback that was positive that we thought, "Let's keep going with this and see if we can flesh it out a bit this season." We've had 10 episodes, and they've been longer and a little more complete.
Hollywood is a lot like high school. Everyone was interested in what the head cheerleader was doing and what the captain of the football team was doing and if they were dating each other.
I watch a lot of television. The stuff that they're putting on television, series like 'The Americans' and 'Game of Thrones,' it's so superior to most of the films that are coming out of Hollywood in terms of drama, certainly in terms of what we're interested in.
People have outs for numbers of episodes, usually, written into their contract. Some studios will say, "We're going to let Julia Louis-Dreyfus off of Veep to do three episodes, but not three episodes of the same show." But, that's all business affairs, so I'm talking over my head here.
I'm not interested in doing every role that is coming my way.
The only thing you really have to practice is your ability. And this is something I do all the time. I try to teach my hand to do what I'm hearing in my head at any given second. I don't sit around and practice scales. I sit around and just try to make sure my hands are following what's coming to me.
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