A Quote by Patrick Stump

I don't want to be George Lucas and go back after the fact. — © Patrick Stump
I don't want to be George Lucas and go back after the fact.
I'm an interested party in obviously the name and reputation of Lucas - because I'm a Lucas, even though I don't go by Lucas.
I'm no actor. And I wasn't like George Lucas or Spielberg, making home movies as a teenager, either. But I would go back and watch certain movies again and again. By the time I saw 'The Graduate' I was aware of how these amazing stories could be told.
If you go into a comic book store, there are tons of Star Wars stories on the stand. There are lots of different stories to tell. Maybe George [Lucas] won't tell them. Maybe some kid, who's a Star Wars fan that's planning to go to film school, will call Lucas and say, 'I'd like to make a Star Wars film.' Then, they'll make one.
As a matter of fact, that was a bit of a problem for me at the beginning of my career - the problem of identification. In The Conversation I played a character who was gay, so nobody recognised me from American Graffiti. When I did Apocalypse Now, after Star Wars, I played an intelligence officer of the American army. George Lucas saw the footage I had done and didn't recognise me until halfway through the scene.
Lucas: I wanted to talk to you after class, but you disappeared. Me: I have another class right after. One of those profs who stops talking, stares at you and waits until you get to your seat if you're late. Lucas: I would probably just walk to my seat even slower. ;)
George [Lucas] wanted to know whether we'd be interested. He did say that if we didn't want to do it, they wouldn't cast another actor in our parts - they would write us out.
I was a great admirer of George Lucas' work.
The hero of the beloved Star Wars trilogy is Luke. The principle dynamic is the complicated relationship between Luke and his father. Not coincidentally, George Lucas' last name sounds a lot like Luke. That's the one he identified with. George Lucas had a tumultuous relationship with his own father, and people who know him say that you can't understand the backstory of the movies without knowing that his dad was occasionally difficult but also very loving. They had a big break between them. In those movies, he's very focused on sons and fathers.
Way back at the beginning, I went to see George Lucas when he first came to London for 'Star Wars.' I met him months before they started, and he didn't ask me to do the picture at all. But the actor whom he had employed to play Wedge didn't work out for some reason.
'The Clone Wars' was rooted in George Lucas and his characters.
I didn't see 'Star Wars' in theaters until George Lucas re-tweaked it.
I think why people relate to 'Star Wars' is George Lucas is so brilliant at telling these stories that we relate to, but in such a fantastic environment with fantastic characters and things you want to believe in this story.
I may be even more grateful to George Lucas now than I was as a kid.
I'm not a big fan of the George Lucas school of meddling and tinkering. That's a slippery slope.
My agent set up a meeting with George Lucas. They were casting in England.
I want to go back to the child I used to be, and to read with the same naiveté [the Pentateuch]. I want to leave science aside and go back to the pure perception offered to me in the text that is waiting there for me year after year.
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