A Quote by Patrick Swayze
I thought it was all over. My lungs were filling with water and I began to black out. Then I saw an ancient warrior rise up out of the water. He said we'd make it, and we did. I believe we all have an angel watching us.
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Momma said that ghosts couldn't move over water. That's why Africans got trapped in the Americas.. They kept moving us over the water, stealing us away from our ghosts and ancestors, who cried salty rivers into the sand. That's where Momma was now, wailing at the water's edge, while her girls were pulled out of sight under white sails that cracked in the wind.
My body rises with the water. Instead of kicking my feet to stay abreast of it, I push all the air from my lungs and sink to the bottom. The water muffles my ears. I feel its movement over my face. I think about snorting the water into my lungs so it kills me faster, but I can't bring myself to do it. I blow bubbles from my mouth. Relax. I close my eyes. My lungs burn.
La Maga did not know that my kisses were like eyes which began to open up beyond her, and that I went along outside as if I saw a different concept of the world, the dizzy pilot of a black prow which cut the water of time and negated it.
Big Water makes an argument straight out of Economics 101. The best way to deliver water to people's homes efficiently, the water barons argue, is to put the process in the hands of the market. If water is scarce, then raise the price - let the law of supply and demand take over!
I do get in the water, but I was ruined by 'Jaws' 'cause I saw it when I was 13. Before that, I used to get in the water everywhere and never thought twice about it. After watching 'Jaws,' I was scared of the water. I have Steven Spielberg to thank for giving me another phobia.
For the Persian poet Rumi, each human life is analogous to a bowl floating on the surface of an infinite ocean. As it moves along, it is slowly filling with the water around it. That's a metaphor for the acquisition of knowledge. When the water in the bowl finally reaches the same level as the water outside, there is no longer any need for the container, and it drops away as the inner water merges with the outside water. We call this the moment of death. That analogy returns to me over and over as a metaphor for ourselves.
I remember standing on a street corner with the black painter Beauford Delaney down in the Village, waiting for the light to change, and he pointed down and said, 'Look.' I looked and all I saw was water. And he said, 'Look again,' which I did, and I saw oil on the water and the city reflected in the puddle. It was a great revelation to me. I can't explain it. He taught me how to see, and how to trust what I saw. Painters have often taught writers how to see. And once you've had that experience, you see differently.
We buy a bottle of water in the city, where clean water comes out in its taps. You know, back in 1965, if someone said to the average person, 'You know in thirty years you are going to buy water in plastic bottles and pay more for that water than for gasoline?' Everybody would look at you like you're completely out of your mind.
We buy a bottle of water in the city, where clean water comes out in its taps. You know, back in 1965, if someone said to the average person, You know in thirty years you are going to buy water in plastic bottles and pay more for that water than for gasoline? Everybody would look at you like youre completely out of your mind.
The sand swallows burst out of their scupper holes in the bluffs and out over the transparent drown of the water, back again to the white, to the brown, to the black, from moving to stock-still sand waves and water-worked woods and roots that hugged and twisted in the sun.
I made so many films I thought were great and they turned out horrible, and I made films I did not believe in at all, and 'Shadow Of The Vampire' was one of these films I did not believe in during the shooting. And then when I saw it I was surprised what they had made out of it. They edited for quite a long time.
"I can talk to fish!" Angel said happily, water dripping off her long, skinny body. "Ask one over for dinner," Fang said, joining us.
I grew up around the pool with my sisters. Both of my sisters swam. I was always there. So I thought, why not? My mom put us in the water for water safety, so we were comfortable in the water in case anything ever happened. I learned that way, and started liking it more and more.
I swim all the time at night - I've always been a water girl. It's a black-bottom pool and my pool light was out, and as I've done a thousand times I just kind of did a little seal dive. I saw a huge bright light and I literally thought, That's it.
I swim all the time at night - I've always been a water girl. It's a black-bottom pool and my pool light was out, and as I've done a thousand times I just kind of did a little seal dive. I saw a huge bright light and I literally thought, 'That's it.'
With his back to us, Sean tugs the halter from the mare's head. She kicks out, but he steps out of the way as if it were nothing at all. With a shake of her mane, she leaps mightily into the water. For a moment she struggles over the waves, and then she is swimming. Just a wild black horse in a deep blue sea full of the ashes of other dead boys.
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