A Quote by Patrick Swayze
You can imagine me as a kid growing up in redneck Texas with ballet shoes, tucking the violin under my arm. I had to fight my way up.
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I used to have acne when I was a kid growing up. You can imagine how serious that was in making you feel bad. And I had skinny bow legs. I mean, as a kid growing up, I was an insecure fella.
I'm South American, and growing up in New York, I had the total stereotypical way of thinking of what Texas was about. I'm like, Texas. Big. Cows. Cowboys. Cowboy hats and cowboy boots. And barbeque.
As a kid growing up, I wanted the Allen Iverson shoes that came out, the Questions. My dad got them for me, so I was excited about that.
I woke up one morning, and I couldn't move my arm. It was the oddest thing, the paralysis. I called up a friend and said, "I think I've had a stroke," and, in fact, that's what my doctor told me. It wasn't terrible, but it was enough to scare me. Now I think about death all the time. I have my death arm, my right arm.
After Bottle Rocket, I started getting acting work. People started offering me roles in movies. It wasn't something that I thought about as a kid growing up in Texas. Actually, maybe I would have thought of it as a possibility, but it seemed so crazily far-fetched to think that you could work in movies that I really didn't ever quite imagine it. It was just lucky.
I was not very strong growing up, and my uncle used to look at me, like, This kid is not growing up, he is growing tall but he can be broken like a banana.
Growing up, we didn't have any money - we shopped where you picked your shoes out of a bin. When I was little, I said, 'When I grow up, I'm going to have nice shoes.'
When I was growing up - say in the fifties - the thirties to me didn't even exist. I couldn't even imagine them in any kind of way, so I don't expect anyone growing up now is gonna even understand what the sixties were all about, anymore than I could the thirties or twenties.
Wo wei ni xie de,” he said, as he raised the violin to his left shoulder, tucking it under his chin. He had told her many violinists used a shoulder rest, but he did not: there was a slight mark on the side of his throat, like a permanent bruise, where the violin rested. “You — made something for me?” Tessa asked. “I wrote something for you,” he corrected, with a smile, and began to play.
I was kind of a little redneck growing up, living on a farm, and running around in the country. I developed hillbilly tendencies, but I wanted to listen to something a little more meaningful than "Redneck Woman" or whatever.
I had a nanny growing up in Morocco, and my parents encouraged me to put myself in her shoes sometimes.
Oh, God, help me! And I walked faster, my thoughts pursuing me, and I began to run, my frozen shoes squealing like mice, but running didn't help, the thoughts to the left and right and behind me. But as I ran, The Arm, that good left arm, took hold of the situation and spoke soothingly: ease up, Kid, it's loneliness, you're all alone in the world; your father, your mother, your faith, they can't help you, nobody helps anybody, you only help yourself, and that's why I'm here, because we are inseperable, and we'll take care of everything.
Growing up in Texas, mum had five girls to feed on a very limited budget, so we'd end up eating the same thing until it was gone - some weeks it was carrots.
When I was growing up in Texas, I didn't think there was anywhere else to live; that's how we're raised in Texas.
I was not very strong growing up, and my uncle used to look at me, like, 'This kid is not growing up, he is growing tall but he can be broken like a banana.' The banana in Congo is called 'Dikembe.' So my uncle start calling me, 'Dikembe, Dikembe, look at you Dikembe, you cannot even stand up.' It took a long time for me to walk.
I had done some community theater plays and I just had so much fun doing it. I was a really shy kid growing up and it gave me a platform to be able to express myself in a way that I didn't feel comfortable doing yet in my own skin.
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