A Quote by Patrick Warburton

Let an audience be able to find it themselves without spoonfeeding it. — © Patrick Warburton
Let an audience be able to find it themselves without spoonfeeding it.
I seemed to be upon the verge of comprehension, without the power to comprehend as men, at time, find themselves upon the brink of rememberance, without being able, in the end, to remember.
An audience is going to be able to find a little bit of Dorothy in themselves and relate to this woman.: roles like Dorothy Day are so rare in Hollywood.
I'm a big believer in rehearsal and a big believer in the actors being able to find the material themselves and identify with the beats themselves without us having to stick to the actual language of the script, just for them to understand what each scene is about.
Until a character becomes a personality it cannot be believed. Without personality, the character may do funny or interesting things, but unless people are able to identify themselves with the character, its actions will seem unreal. And without personality, a story cannot ring true to the audience.
I always like to break out and address the audience. In 'The History Boys', for instance, without any ado, the boys will suddenly turn and talk to the audience and then go back into the action. I find it more adventurous doing it in prose than on the stage, but I like being able to make the reader suddenly sit up.
To claim that the souls of men will be happy or unhappy after the death of the body, is to pretend that man will be able to see without eyes, to hear without ears, to taste without a palate, to smell without a nose, and to feel without hands and without skin. Nations who believe themselves very rational, adopt, nevertheless, such ideas.
Dancers work and live from the inside. They drive themselves constantly producing a glow that lights not only themselves but audience after audience.
Through performance, I found the possibility of establishing a dialogue with the audience through an exchange of energy, which tended to transform the energy itself. I could not produce a single work without the presence of the audience, because the audience gave me the energy to be able, through a specific action, to assimilate it and return it, to create a genuine field of energy.
Maturity: Be able to stick with a job until it is finished. Be able to bear an injustice without having to get even. Be able to carry money without spending it. Do your duty without being supervised.
Today everything comes under the laws of competition and the survival of the fittest, where the powerful feed upon the powerless. As a consequence, masses of people find themselves excluded and marginalized: without work, without possibilities, without any means of escape.
I think that's a powerful thing, to be able to engage your audience and let them put some of themselves into the music.
I always try to keep in mind that while the characters in a farce may find themselves in outrageous dilemmas, and may behave in a way that the audience finds amusing, the characters themselves don't have the consolation of knowing they're in a comedy.
Movies, over time, as they do or don't find their audience, or they find a different audience, they change in your memory and in the eyes of those who see it.
If others examined themselves attentively, as I do, they would find themselves, as I do, full of inanity and nonsense. Get rid of it I cannot without getting rid of myself.
The audience will find the artist who matches their interests. If you're not being true to yourself, your audience can't find you, because there's a wall up between who you are and who they're seeing.
There's one thing about TV that I really think is true. If you find the right cast and the right writers, and you got some chemistry going, even if a show is taking a little while to find an audience, if you keep it there, that audience will find it. Because that's what happened with 'Cheers.'
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