A Quote by Patrick Warburton
I believe I'm doing the right thing in trying to step away from that and to take chances and work on little independent films and do stuff like that wild dance scene.
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So most of my acting experience came in college when I was living away from them. I acted in various independent films, and I got some commercial work and stuff like that.
I wasn't trying to fit into a thing... it was not like I was like, 'Right, I'm the Han; I'm the Leia; I'm the Luke.' I was just like, 'Okay, I'm Rey, just trying to do me, just trying to do this scene, trying to do the right thing,' and I think that was a huge advantage because I think if not, it would've been a very different thing.
What we shouldn't be doing is trying to take away your rights to bargain for better wages or working conditions... These so-called "right to work" laws, they don't have to do with economics; they have everything to do with politics. What they're really talking about is giving you the right to work for less money.
Of course, right away I got more interested in the far-out jazz than the traditional jazz, so I quickly was turned onto the John Zorn scene and all the wild stuff coming out of New York and Europe. Improvising is a pretty natural thing for me.
I like to take chances, and that's the key to comedy -- dancing like an idiot but doing it with wild abandon.
When I got out of school, I didn't really understand the differences in the different aspects of the business. For example, doing a play - where does that take you versus, you know, concentrating on independent films? You might have one thing in your head, but the things you're doing don't really lead down the right road, necessarily.
Going forward, I would love to work with directors like Rian Johnson and Joss Whedon; people like that who are doing big films but do have really independent voices. That's kind of what I want to focus on, is always working with people with at least an independent point of view, even if it's not an independent film.
Every single time I step into a ring, the same thing is on the line. Take away belts, take away money, take away glamour and fame. Ultimately, I'm fighting for one thing, and that's my life.
When real actors are approaching their work, we could be on a little stage somewhere, doing community theater. It's all the same. They're just trying to make the scene work. They're just trying to do the best they can and figure it out.
I'm trying to educate people about things that I believe are right, and some of the things that I believe are right might not be right, so I live in constant self-doubt. I think that creates a kind of search that you have to have, and it prevents you from doing a lot of stuff that you would normally do.
When you're younger you don't care so much, but as you get older you have a family and stuff like that. But I've always kept my foot in theatre and I've kept my foot in independent film, so I'm really happy going back and forth. So, if I can't find the meaty roles in studio films, then I'll go back and dig up a little independent where I can flex my muscles a little bit.
In the beginning, it wasn't even a question of deciding I'm going to do independent film and not commercial films - I wasn't being offered any commercial films, and there wasn't an independent scene.
Well, for me, the real excitement of doing physical things in films, whether you're talking about a fight scene or a stunt sequence or even a love scene, for that matter, is by necessity it has to be choreographed very much like a dance. That being said, you have to rehearse it over and over again and find a mathematical precision.
I used to delay doing stuff that I just didn't want to deal with - things like putting the garden hose away properly or doing the dishes right after dinner. Now I have this little voice in my head that says, 'I know you don't want to do this, but just do it anyway.' In other words, there's far less stuff that I put off until tomorrow.
I took a little break - I was coming back to work and the last thing I was going to do was take a step backwards, so I knew that if I was going to take a feature it was going to have to be taking a step forward.
Independent dance - and, fine, it's a very good thing that it remains independent - is a much tougher life: all dancers expect that, and accept that there will be periods of not being able to work, provided there are choice moments during the year when they really can work.
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