A Quote by Patrick Wilson

You know, I gotta be honest. I have not done a lot of CGI work. I just haven't. I mean, there were hundreds of effects in Watchmen, and I probably dealt with almost none of them, because all my stuff was very practical.
I feel that so many sci-fi films and films in general have just become really dependent on and addicted to CGI, and that some of the big CGI films of the summer, you see these effects that look like crap. You don't know if you're watching a cartoon or something that's real. And I didn't want to fall into that trap. I really thought there was a way to use a lot of these old techniques to do some new and really neat stuff.
And it's very hard to do this stuff too because there are so many effects movies being done, so many companies busy doing this work and the public just wants to see it. Good work is being done all over the world.
Maybe I'm a product of my era, but I just enjoy the practical effects of 'The Thing' more than CGI aliens.
I think that, for me, Superman just seemed to make a lot of sense to me. After doing 'Watchmen,' it was - you know that thing, you've got to know the rules before you can break them? There was something about that in making 'Watchmen.'
We tried to do Yoda in CGI in Episode I, but we just couldn't get it done in time. We couldn't get the technology to work, so we had to use the puppet, but the puppet really wasn't as good as the CGI. So when we did the reissue, we had to put the CGI back in, which was what it was meant to be.
When we were making it [Star Wars], none of the effects were in. So the first time, I thought it was, you know, that - I mean, we were surrounded by English crew members that could hardly keep themselves together. They were, "Here comes the guy in the dog suit." They made fun of us, which was OK. But the first time I was sitting in a theater, and I saw all the effects in, and the big ship flew over the audience, and the sound rumbled, I pretty much thought we were close to home.
With all the hype that computer graphics has been getting, everybody thinks there's nothing better than CGI, but I do get a lot of fan mail saying they prefer our films to anything with CGI in it. I'm grateful for that, and we made them on tight budgets, so they were considered B-pictures because of that. And, now here we are, and they've outlasted many so-called A-pictures.
We intentionally didn't want to release anything when we were very young, I suppose, because we had a lot of foresight. Stuff can come back to bite you in the ass. Know what I mean?
I'm very, very thirsty for knowledge. Just because I'm good at something and have found success doesn't mean I'm done. I'm not even close to being done. I don't know if I ever will be done learning.
I have had hundreds and hundreds of stroke cases. My methods cured them--when they were so stiff they were almost dead.
I don't think I could ever stop doing serious movies and just do comedies, or vice versa, but there is something cool about going to work everyday and you're just trying to make your friends laugh. That's nice work if you can get it, you know what I mean? It's different than going to work and knowing that I've gotta slap someone in the face today, and then I've gotta cry, and someone's gonna die, I've gotta get myself to that place.
My mom and I are very honest with each other, almost to a fault. But that's just the way I am in life. If you listen to my record, I'm just honest about stupid stuff most normal people wouldn't put in a pop song.
I want to be perceived - or maybe I perceive myself - as this really easygoing, honest person that's just giving. Realistically, I have those qualities, but I'm very aggressive. I can be very harsh. It comes off almost mean, you know?
I think the problem for the future generations is a lot of people ain't takin' the time to look for them and give them their voice, so therefore for their voice to be heard, they gotta bang more pots on the ceiling, so to speak; they gotta do crazy things just to get recognized. I just feel that whenever you don't give a generation some kind of voice, then expect side effects.
I don't want to give a lecture to this body that's out there. You know, I mean, having had the heart attack, I want to get it back functioning. And as a practical matter, I mean if you were Bear Stearns, and you were a shareholder, you know, you lost 90 to 95 percent of your money. A good many lost their jobs. They lost very cushy lives, many of them.
For the first two weeks after he passed, we were done as a band. We were just done. And because of the fans and Jimmy's parents and relatives and stuff like that, they just demanded that we continue on and spread the legacy that is, you know, the crazy James 'The Rev' Sullivan.
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