A Quote by Patrick Wilson

The great thing about doing theater is that you get to do it better the next night. — © Patrick Wilson
The great thing about doing theater is that you get to do it better the next night.
In the theater you rehearse for a minimum of five to six weeks. And then you get to play it. Which means you get to get better. That's the great thing about the theater.
I've seen the same thing emerge in the research around the interaction of sleeping and moving and eating: if you get a good night's sleep, you are significantly more likely to make the right choices about what you eat the next morning, you're more likely to work out, you're more likely to get a better night's sleep the next night.
You know, when you see yourself on a big screen, I tend to watch from behind my hands. There is absolutely the regret. You always get that at the end of every project. That's what's great about theater: at least every night you get the chance to go out and re-offend. I'm endlessly disappointed, which is what propels me into the next project, probably, not to repair the damage but to kind of hopefully keep developing. Otherwise there's no reason to keep doing it, is there?
Theater will always be a huge part of my life. The high I get from doing theater is not, quite honestly, matched by many things. I like the fact that when you step out on the stage, for that given night, for better or for worse, you are the master of the boards. I love it to death.
What I love about doing live theater and the same material night after night is... you can live inside the same words. There comes a great joy in that, in making it so clear because you've had the time to define it.
That's just a stressful way to live - saying, 'OK who's doing great, who's doing better than me?' ... Let me just worry about me. I'm not worried about anyone else. If you're doing fine, great; if you're struggling, I hope things get better for you. But I've got to be worried about my career.
The discipline of live theater - doing the same perfect thing night after night, eight times a week - never ceases to amaze me
I often think a play gets better and better as you hit a stride because you really find new things. One of the great privileges of doing theater is you get so many at-bats - you get to try it eight times a week and every audience is different, everyday is different.
The beautiful thing about theater is every night is an opportunity to incorporate what you discovered the night before.
I just try to bring a kind of consciousness to the work I'm doing. I'll worry about the next job when I have the next job. There are a lot worse things than being known for a certain kind of specificity. You'll get calls for that thing. And that's better than not getting any calls at all.
All directors are different. Certainly, the directors that I respond to the most are guys that figure it out by doing it, not by thinking or studying. Also, the kind of actor that I think I am - I learned about theater doing theater, not studying theater. I think that traditional school can be great, but also it can stifle original thought.
It's a never-ending struggle, which is great. You can always get better! You can never get there. It's a journey with no arrival. And that's the beauty of it -- that you can always become better the next day. It's pretty cool to think about it in that sense. Tomorrow I will be a better player than I was today.
We don't worry about continuity because when we're doing so many improvs, it's better to get the laugh. It's better to get the great lines even if they're in the wrong part of the room.
The great thing about doing a show in New York is that you can work until the night before.
Fashion is a very ongoing, renewing thing, about change and reaching for the next thing. You are permanently dissatisfied, and it's always got to get better.
I love doing theater. Despite the fact that out of theater, film, and TV, theater is the hardest thing to do. It's the least paid, and we all have these bills that we have to pay.
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