A Quote by Patrisse Cullors

I developed 'Power: From the Mouths of the Occupied' while I was an Artist in Residence at Kalamazoo College. — © Patrisse Cullors
I developed 'Power: From the Mouths of the Occupied' while I was an Artist in Residence at Kalamazoo College.
When I was in high school and college, my other real focus was, actually, fiction writing. So in college, I had done all these seminars with these various writers-in-residence.
I'm a New Yorker now, and believe me, there's no comparison between the Big Apple and Kalamazoo, no similarity at all. New York City's hectic, always in fast-forward, and Kalamazoo's more laid-back, smaller, slower.
I read of the Kalamazoo girl who killed herself after reading the book. I am not at all surprised. She lived in Kalamazoo, for one thing, and then she read the book.
What a tremendous act of generosity on the part of the donors who made this possible and what a tremendous opportunity for all these children in Kalamazoo public schools who can now go to college and chase their dreams.
I was trained as a fine artist. I went to a progressive public school in Pennsylvania that developed these talents, but I was never able to apply to a decent college because I had no math, no science - I was allowed to just paint all day and write.
When I was 15 and playing in Kalamazoo, I ran into a light pole on the side of the court and was knocked out for a little while - when I woke up, I was seeing stars!
I don't think I ever really decided I was an artist. I went to college to learn how to think and look at art. In the end, I developed a more sophisticated misunderstanding of art.
What brought me to L.A. was work! I moved to Chicago after college - I went to Kalamazoo - did my nerd thing, graduated, and moved to Chicago to pursue improv.
First, an angel is spiritually present at whatever place in physical space happens to be occupied by the body on which it acts. It can be present at that place without leaving Heaven which is its spiritual residence.
I had a full college experience. I kind of learned how to be a good student at Bard. I had never really cared about academics, but in college I learned the power of - I don't want to say the power of knowledge, but the power of curiosity.
For 10 years while I was at ESPN, I lived at the Residence Inn in Southington, Connecticut, near Bristol. I did that because my wife had a great job in New York City, and we had a place in New York City, at 54th and 8th. On Friday, I would come back, and then on Sunday evening I would go back to the Residence Inn.
You don’t get black power by chanting it. You get it by doing what the other groups have done. The Irish kept quiet. They didn’t shout “Irish Power”, “Jew Power”, [or] “Italian Power”. They kept their mouths shut and took over the police department of New York City, and the mayorship of Boston.
PALACE, n. A fine and costly residence, particularly that of a great official. The residence of a high dignitary of the Christian Church is called a palace; that of the Founder of his religion was known as a field, or wayside. There is progress.
What was said about him, what the females needed to believe about him, was just oral masturbation for mouths that needed to be otherwise occupied.
You can't expect to be on MTV and critique George Bush. You can't expect to be on BET or the cover of 'The Source' advocating Jesus Christ or Buddha or Hindu Krishna or Moses. As a conscious rap artist, you have to play in the arena that you're supposed to be in. What is that arena? That arena is the college market. The conscious rap artist woos the college market, even though the college market is the wildest, most sexed-out, drug-driven market in the country, possibly the world.
Beauty is for the artist something outside all orders of rank, because in beauty opposites are tamed; the highest sign of power, namely power over opposites; moreover, without tension: - that violence is no longer needed: that everything follows, obeys, so easily and so pleasantly - that is what delights the artist's WILL TO POWER.
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