A Quote by Patrisse Cullors
For those looking outside-in, it's not fair - or accurate - to assign someone an identity based off the first thing that we see.
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The first duty of a newspaper is to be accurate. If it be accurate, it follows that it is fair.
Is it fair for the bears to come down to where humans live, looking for food? Is it fair for the Duke's soldiers to shoot at them? Is it fair for the bears to crush them with giant snowballs? Often, if you point out something that isn't fair, someone will reply, "Life isn't fair." What is to be done with such people?
Merely presenting a driver's license or other document based on a birth certificate is not enough for an accurate verification. Biometric verification of identity must be made and then a data base of those persons who have legal status must be checked.
First of all, you want umpires to call what they see. In the case of fair or foul, the smartest thing is to call the ball fair. Because if it's called foul and ruled fair, where do we put the runners?
My identity is not based on performance; it's based on something that's pre-determined by someone else, and I don't even understand what that is because I'm an African who came to America.
National identity is the last bastion of the dispossessed. But the meaning of identity is now based on hatred, on hatred for those who are not the same.
When you make albums like I do, and it's based off fanfare and based off touring - I make these albums, and I get on the road. It's not really a radio-driven thing. I get on the road, and I see my fans, and I touch each and every last one of them.
I remember the first time I went to Europe, I had someone take a picture of me there, so I could really see myself there. There's a sense of being outside yourself, and I think celebrity allows us that too, to be outside ourselves.
I'm not sure what the proper label might be, or the most accurate one, but someone once called my stuff Southern Ohio Gothic and I thought that was fair.
Those first few weeks are an unearthly season. From the outside you remain so ordinary, no one can tell from looking that you have experienced an earthquake of the soul. You've been torn asunder, invested with an ancient, incomprehensible magic. It's the one thing that we never quite get over: that we contain our own future.
If a man has a sense of identity that does not depend on being shored up by someone else, it cannot be eroded by someone else. If a woman has a sense of identity that does not depend on finding that identity in someone else, she cannot lose her identity in someone else. And so we return to the central fact: it is necessary to be.
My identity was tangled up in the parts that I had played since I was a child. I would go through my closet and only see audition clothes: Brie looking older, Brie looking '60s, Brie looking '40s, Brie looking younger in the future.
The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.
I do a lot with characters' sense of identity. I also like challenging stereotypes, gender roles, things like that. Give me a stereotype or a genre expectation and the first thing I want to do is stand it on its head. In the Nightrunner books I wanted to see if I could create a believable gay hero, one who wasn't someone's sidekick or a victim.
In New Zealand, we have a thing called 'tall poppy syndrome,' which, you might not have heard of it, but it's essentially where - it happens in small populations usually, but can actually happen in the U.K. - where, if someone sticks out, they get their head cut off because they are being outside the ordinary or they are showing off.
I work and I volunteer at North Shore Animal League, so I'm at a shelter environment every single week. And I see these senior pets sitting there looking, craning their necks looking outside of their cages waiting for their person to come back. So I always say check out the adult animals that are there first.
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