A Quote by Patterson Hood
Songwriting can be cathartic, but then you just keep it private. If you're going to play out and have other people listen to you, then you need to make sure there's some point to what you're saying.
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I'm sure everybody looked at me cockeyed. But if you don't believe it, then it's not going to happen. If you don't believe it, no one else is going to believe it. But if you believe it and keep saying it, then slowly one person will believe you, then two, then three, then four . . .
There's no destination. There's no getting anywhere. There's just the going. The key to life is to make the going really fun. Because people that are like, “If I just get to this, then boom!” And then they get there and there's this dawning of an afterwards. Whereas I'm just always in the going. And it's not a frantic going like, “I gotta keep going or I'm gonna go nuts!” I can not do anything for weeks or months if I need to and just sit and read books or watch movies. I'm just as fine consuming and absorbing new art as I am trying to make it. But it's all in the going.
If you got a dope girl, there's going to be people that want her. But I don't know, I've always kept my 'A-game' on point. I just make a point to make sure the woman that I'm with is taken care of. You got to keep it new, so I go out of my way to make them feel special.
What you hear in focus groups and conversations, people will give you 20 minutes of rage about how the borders are out of control. But then you start saying, practically, what are we going to do about it? What are we going to do about the 11 million here? What are we going to do to get some workers we need for the farms? Then people start having a normal conversation.
I'd say, at the end of the day, you know, from a songwriting practice standpoint, you write songs to make yourself feel something true and validating, and cathartic, maybe, and then whoever responds to it is, like, out of your control.
Nothing is better for my playing than teaching because when you teach, you have to think and you have to listen what other people do. And then all of a sudden, you play yourself and then you say, my goodness, I don't need a teacher. I'm my own teacher. Then I can react to what I'm doing immediately. It really improves.
If we can't have exchanges with our friends and family, with loved ones that won't at some point be made public, then we can't have private lives. And if we can't have private lives, then we're not really free people.
You are who you are. It doesn't make any point to go out and buy the Top 40 albums to see what those acts are doing. There's no point in hearing what's going on. The only thing that's going on is what's been going forever. It's just that some people dig that bag and some people dig the other bag.
We need people from all around the world. We need entrepreneurs, we need students that we're educating in our schools that we then throw out and we should make sure they can stay here. If we don't have the new flux of immigrants, nobody's going to create the jobs for the Americans who are currently out of work.
The Democrats talked about putting people first. Well, they put people first unless you happen to be a spotted owl or a giant garter snake or some other endangered species and then that seems to have priority. Obviously, you take the bald eagle and things of that sort, of course you're going to make sure that they are saved and that they can live and you're going to take every precaution that you can. But others - we just need a little flexibility.
If you're out there saying something that you don't personally believe, then it doesn't really matter if a voter agrees with what you're saying. If they don't believe that you believe it, then they're not going to listen to you anyway.
I have years of saying ideas that are not listened to. Then, weeks after, of producers finding out that I was right when some other guy comes in and says it. Sometimes I just tell my idea to my editor or to some other guy with maybe gray hair to share it, and then it's brilliant!
Going to the office of some stranger and waiting in a line, in a hallway, with five other guys who look just like you, waiting your turn to go in and embarrass yourself, and then waiting around for feedback, which never comes. I really like that. For a young artist, it seems like the perfect thing to be doing, humiliation, over and over and over and over. Which I'm sure can't be the way that some people look at it, but I thought that was so great. The point of it is if you make your own stuff you don't have to deal with other people's bullshit.
Listen to your conscience regarding something that you simply know you should do, then start small on it - make a promise and keep it. Then move forward and make a little larger promise and keep it. Eventually you'll discover that your sense of honor will become greater than your moods, and that will give you a level of confidence and excitement that you can move to other areas where you feel you need to make improvements or give service.
For me, on every project, I realize that I've boxed myself into a corner, or that the play necessitates some sort of theatrical convention that I realize I hate while I'm making it. So then the next play is always a rebellion. Or like, the thing I didn't even realize I was doing last time I will make sure I don't do this time. But there's always some other blind spot. And then that blind spot inspires the play that comes after.
When I came into office, the world was divided. Iran was resurgent. Iran is at its weakest point, economically, strategically, militarily, then since - then in many years. And we are going to continue to keep the pressure on to make sure that they do not get a nuclear weapon. That's in America's national interest and that will be the case so long as I'm president.
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