A Quote by Patti D'Arbanville

I love film sets. — © Patti D'Arbanville
I love film sets.
I might do a film someday for the collection. I love designing sets and creating environments, in film school and for my own presentations. I love telling stories.
Film sets are a strange place, but an exciting place. I do love my work; I really enjoy going to work. But if you just spend all your time on film sets or even on stage, you can become a Michael Jackson figure, living in your own little universe.
I love being on film sets even if I'm not acting in the film, and I'm fascinated by the work of the director of photography.
I love film sets, but I don't necessarily love being the center of attention.
I would accompany my dad to his film's sets. I especially remember going with him on the sets of 'Vijaypath.'
When I'm making a film, I don't want my producer to be on the sets. So when I'm producing a film, I don't want to be on the sets!
I love the camaraderie that develops on film sets and ensemble casts. It's really special.
I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
When we make a comedy film, its important to have a light atmosphere on the sets so that the mood reflects in the film.
I was spending a lot of time in trailers, you know, on film sets surrounded by film people.
All sizes of film sets have the same level of excitement and friction and tension and then vast sections of boredom that define the process, so I love it all.
One of the other things that I love about Miyazaki's films, is that when he sets a film in Europe, it's not a documentary - it doesn't really look like Europe, but it's something he internalises, synthesises and weaves into his work. I love seeing that cross-cultural exchange.
My brother knows more about film sets than I do, because he works at New York Film Academy.
I think I spent my entire childhood on film sets, surrounded by film-makers and actors and people with magnetic energies who make movies.
In film, movies' schedules are based on three things: actors' availabilities, when are sets being built, when you can rent the place you're going to film in.
You really just have to love the process. I can't tell you the amount of film sets I've been on where people are talking about Oscars in the middle of the production. It happens all the time.
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