A Quote by Patti Davis
I really just sat down to write. I mean, I did what most writers do when something happens that's overwhelming, fascinating, moving, all of that.
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I did what most writers do when something happens that's overwhelming, fascinating, moving, all of that. I didn't know what else to do about it except write about it.
I really look up to writers who are able to write compressed, single-scene stories, where everything happens in a kitchen. But I just can't think that way. For me it would be impossible to write a story where I didn't know what someone's parents did and what their grandparents did and who they used to date.
I don't believe in democracy. In the second place, neither did our white forefathers. I believe, as they did, in a republican authoritarian republic with a limited electorate - just like the one the writers of our Constitution meant this country to be. When these white Christian patriots sat down to write the Declaration of Independence, there were no black citizens for them to worry about.
I really need to know where I'm going with fiction to write it in a way that at least I'm happy with. And I really think that a lot of fiction books end badly because terrific writers said, "I'll just figure it out" and plunge in, but have created so many problems that they are kind of impossible to solve. I mean, I'm talking really good writers do this and you can tell when they got to the end they either had to do something preposterous or they just don't really resolve things. So for fiction I spend a lot more time outlining and for humor I really don't do much of it.
I've never sat down and tried to write something for some occasion. You just write the tune and stay totally wide open to everything. It'll find the person or persons who are supposed to do it.
On the return flight from my mother in Florida , I sat next to a businessman who asked me what I did for a living. I said, "I write," and it seemed totally ridiculous in the face of what had just happened. I mean, I couldn't think of anything more pointless than telling stories. He asked, "What do you write?" I said, "I write children books."
As soon as I sat down to write music, really, with Café Blue. I just can't think about that when I sit down to write. I don't let myself. I actually don't allow myself to look at sales figures. Ever. I get the general impression that I'm not selling like Norah Jones, but I don't really pay too much attention, because I think it would corrupt me.
There's something about guitars, they're just so big, you know what I mean? You're just like, 'Ugh!' It just seems so overwhelming. And the ukulele is, like, the opposite of overwhelming.
The biggest trap that all performers and writers find is that when something really crazy, really bad happens, your mind immediately goes to, 'Can I write about this?' - which is good and bad.
If some event happens and it seems really important to me and moving to me, I'll write it down in my lyric book knowing that it will come out in a song.
When I do write, it happens really easily. I'll just kind of sing along to whatever I'm playing, then find a line to build off of, then sit down and write. When I do write, I take care of business!
Most writers write to say something about other people - and it doesn't last. Good writers write to find out about themselves - and it lasts forever.
Cross out as many adjectives and adverbs as you can. ... It is comprehensible when I write: "The man sat on the grass," because it is clear and does not detain one's attention. On the other hand, it is difficult to figure out and hard on the brain if I write: "The tall, narrow-chested man of medium height and with a red beard sat down on the green grass that had already been trampled down by the pedestrians, sat down silently, looking around timidly and fearfully." The brain can't grasp all that at once, and art must be grasped at once, instantaneously.
A big part of directing animation is deciding what you really want to do and making sure it's about something. My favorite thing about animation is the storytelling. You can really dig into the story and spend time with the writers. The writers don't just write and leave.
I just feel like TV takes more risks than film. Film has gotten very safe: it's very compartmentalized about what type of things will be successful. And whereas in TV, since all these new platforms opened, they're saying to writers, go out there, write the most different show that you can write. Write something that's really original and different.
It's not really about confidence. It's just something that isn't really in the vocabulary of what goes on at work. The writers write and the actors act.
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