A Quote by Patti Harrison

Cisgender people tend to want trans stories of triumph that are easy to metabolize. I want to make things that are subversive and not so entry-level. — © Patti Harrison
Cisgender people tend to want trans stories of triumph that are easy to metabolize. I want to make things that are subversive and not so entry-level.
Cisgender actors don't take trans roles out of malice. I think it's just failure to realize the context behind having cisgender people play transgender characters because we don't see the same issue with sexuality.
Many in the trans community are fed up with L.G.B.T. organizations that continue to erase trans identity or just give lip service to trans issues. We need our cisgender allies - gay and straight - to treat transgender lives as if they matter, and trans people need multiple seats at the tables in the organizations that say they're interested in L.G.B.T. equality; this absence has been painful since Stonewall.
I think it's really important to champion stories from trans women and trans women of color. That demographic has gone unheard and unsupported for so long, and it's really the community that's struck the hardest by a lot of issues. I try to do a lot of work to champion trans feminine issues and stories, but that said, I do have a personal and deep investment in seeing trans masculine stories reflected in culture. It is a little disappointing to me that trans men and trans masculine people have not really been part of this media movement that we're experiencing right now.
There's been a huge history of cisgender success on the back of trans stories, which is something I'm deeply aware of. My take on it, I suppose, was that I do think actors should be able to play anything.
I tend to lean toward strong female stories. I want to make things that don't already exist out there.
It's not a very sane thing to try to be great all the time. You want to make something magical; you want to make something wonderful; you want to give to everybody; you want to heal people; you want to still be inspired. That's not easy.
I want to make movies - and I want to portray characters - that make people think. I want to make movies that have a redemptive message. I want to tell good quality stories and take out the derogatory sex, violence and language.
People tend to believe that I want to make soul music, which is not entirely untrue but, really, I want to be like the black Tom Waits - I don't want to make one kind of sound.
I'm at the point now where I know I'm doing something right when a movie gets mixed reviews, because then I'm not in the box. I don't want to make it too easy for people and I don't want to make it too easy for myself. I want to try something unusual.
I'm naturally inclined to want to be funny and make people laugh, and that's what I want to do with my life. I also want to do it on an intelligent level. I want to kill the clown but I also want to preserve the comedian.
What I want to do is make films that astonish people, that astound people, and I hope you want to do that too. It's easy to make money. It's easy to make films like everybody else. But to make films that explode like grenades in people's heads and leave shrapnel for the rest of their lives is a very important thing. That's what the great filmmakers did for me. I've got images from Fellini, from Bergman, from Kurowsawa, from Bunuel, all stuck in my brain.
I don't want to have one hit, one song of the summer, and then have me disappear forever. I really want my things to last, and I want my songs and my bodies of work to resonate with people. I want to hit people - at least make a dent in them. I want to make a mark somehow.
It [moviemaking] is about entertaining audiences with great characters and great stories, you want to make people laugh, you want to make people cry, you want to have great music that is memorable. You want a movie that, as soon as it's over, you want to watch it again, just like that. That's what it is, whether it's live-action, animation, hand drawn, computer, special effects, puppet animation, it doesn't matter. That's the goal of a filmmaker.
I want more movies like 'Straight Outta Compton.' Showing our stories of triumph, we'll make it through, and we'll get to something better.
We need more Black, cisgender straight men to be willing to come out and say: 'I stand with Black trans people.'
I make my share of mistakes, but one I never make is to underestimate the power of things. People imbued from childhood with the myth of the primacy of feeling seldom like to admit they really want things as much as they might want love, but my career has convinced me that plenty of them do. And some want things a lot worse than they want love.
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