A Quote by Patti Harrison

Being on camera has really rehashed a lot of old feelings, because I dealt with body dysmorphia for a long time. — © Patti Harrison
Being on camera has really rehashed a lot of old feelings, because I dealt with body dysmorphia for a long time.
I've thought about my relationship to my body, my body dysmorphia, and what that means as someone who's like, 'Oh, I'm going to be on camera.' Sometimes it makes my body dysmorphia worse, but I've also tried to not let my mental illness rob the joy of getting to do something I've always wanted to do.
Almost every second film today has a rehashed version of an old song. In fact, even non-filmi songs are now being rehashed and used in Bollywood films, which is a good thing. But I don't want to be a part of that trend, not as a composer or as a singer.
I deal with body dysmorphia a lot, so it's always a process to see and hear myself on camera. I have to be in the right mental mode to not be hyper-critical of myself.
We don't talk about body dysmorphia and we don't talk about body hatred either. We keep it really isolated and I think that injures us as we get older because it becomes habitual.
I feel like I have really bad body dysmorphia.
I watch a lot of interviews with Selena [Gomez] because she's been in the public eye for so long and she's dealt with a lot of critique that I believe is unwarranted, but maybe that's just me being a fangirl.
I myself have gone through a lot of trials and tribulations with insecurity and body dysmorphia, and stuff like that.
He's going to be around a long, long time, if his body holds up. That's always a concern with a lot of players because of how much they play. A lot of guys can't handle it. But it looks like he can.
Feelings do not grow old along with the body. Feelings form part of a world I don’t know, but it’s a world where there’s no time, so space, no frontiers.
Under examination by the camera, a human body becomes for its inhabitant a field of betrayal more than a ground of communication, and the camera's further power is manifested as it documents the individual's self-conscious efforts to control the body each time it is conscious of the camera's attention to it.
He's going to be around a long, long time, if his body holds up. That's always a concern with a lot of players because of how much they play. A lot of guys can't handle it. But it looks like Tiger Woods can.
I'm always going to hear people make that connection and I've just accepted it. It's alright. I'm just happy that I get to do my own thing now. I learned a lot from the show [the Voice] as far as being in the TV world and being in front of the camera, which is really great because I'm not as nervous in front of the camera as I was before.
When I was an actor in some movies a long time ago, I was so curious about all the camera movements - why is the camera placed here, and why does it move like this? And why the set and the background, the color? It's a lot of questions for me to ask, because I was so interested, not only in acting, but also the whole process of filmmaking.
When you're acting in front of a camera, you can really give all of your emotions with your eyes so the camera can see it. When you're in voiceover, you can't do that at all. It's a lot tougher because you have to convey this emotion, and you have to have a lot of trust in the animators.
I developed slight body dysmorphia - when I would break out, I couldn't look at myself in the mirror for a couple of months at a time. I remember doing my makeup before school in the dark, which is an awful idea, but it's because I didn't want to see myself in that bright light.
There's a lot of different things that make me want to take photos. A lot of it is, for a long time I've been obsessed with the thought of time travel with my camera.
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