A Quote by Patti Harrison
It's really cool to read feedback. I'm trying not to engage too much, though, because I spiral out even if the reviews are, like... positive.
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It's always good to get good reviews. I read my reviews. There are a lot of writers who don't read their reviews at all. I read them; then I put them away because it's not good to engage with them too much.
I try not to read too much because what ends up happening is that you ignore the nice reviews and you just focus on the bad reviews. A negative lesson is learned seven times deeper than a positive reinforcement.
If you read the good reviews you gotta read the bad reviews. I kind of think of it as like being a quarterback: you get way too much blame when it's bad and way too much credit when it's good.
I don't pay too much attention to the positive reviews or the negative reviews because if you believe one, you've gotta believe the other.
I don't read reviews. Just because that is something that's directly connected to my job. I'm doing this because I love it, not because I'm necessarily looking for approval or anything like that. To me, it seems that reading reviews - whether they're good ones or bad ones - can only sort of force the person to divorce themselves from the reality of what it is they do for a living. So I don't read reviews.
One key factor in the downward spiral in our educational system is that there is too much stroking and too little real feedback.
I pretty much read reviews and comments only looking for the negative. Literally, when I read positive comments, it's like a zero. I think the issue is if you agree with it or not.
I don't read reviews, and it's not because I don't think I can learn something, I'm sure I could learn a lot. I just that I feel very passionately about the work and especially when you're doing theater, you really only need one director and when you read reviews, you feel like you have twelve, because you respond to them, naturally.
I tend not to read reviews; there's too much out there in cyberspace.
I used to read reviews - I read a lot of the reviews when I did 'Borgen,' but the thing is, people were so harsh that I talked to my wife about it, and I said this is too tough - the people are too personal and too idiotic to understand it, in my mind.
Even though it took forever to release a movie, and even though it's a small indie release, the fact that in five years someone will be skipping through Netflix, or Amazon, or whatever and say, "Wow, that was a really cool movie. That was a really great story. Or I was really creeped out, or intrigued by that." You almost kind of forget what it took to get there, or was it in the theaters or not. So that's kind of exciting as a filmmaker. That it doesn't really matter as much the release platform, as much as how can I see it?
I don't read my own reviews and I haven't for probably 15 years. I read other people's reviews, though.
I was brought into the curiosity of it because with Sony Pictures Classics, which bought the movie, they look into what the feedback is and base that off of how they release it, and you end up hearing the feedback and getting that early talk. So the reviews early on that were "bad reviews," they were kind of reviewing another movie.
I don't read reviews, but I do get feedback from my peers and people I know, like other actors and directors and producers.
I do read the records reviews but more out of curiosity than anything else, I feel like we know what we want to do next time regardless of how this one is received, good or bad, so it won't really make much of a difference, which wasn't the case on the first album, where both the positive and negative criticism or reactions did catch us off guard and inevitably colored the creation of this one.
In the end, the whole Internet thing kills me, because you can use it as a positive thing or you can read into all the negativity. And I think you've gotta put out positive energy, put out cool viral stuff, and then just stay out of people's opinions.
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