A Quote by Patti Harrison
Animation has revitalized a part of my brain that says, 'Oh yeah, I do like doing this. This is fun.'
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Sometimes you just work, you work, you work, and you have no life, no boyfriend, you have no more friends, no more nothing, you just make movies, and you're tired, and you don't know why. Then everybody says, 'Oh you are so lucky, you are working!' And you're like, 'Oh yeah, oh yeah, it's so great!'
My mother says to me, when I'm making a new movie, she says, "Oh, is Steve Buscemi in it?" I'd say, "Yeah." And she, "Oh, then it's going to be a good one." I swear to God, she says that every time. And when I say Steve's not in it, she says, "Oh."
I think animation is a very truthful way to express your thoughts, because the process is very direct. That's what I've always liked about animation, particularly abstract animation. You go from the idea to execution, straight from your brain. It's like when you hear someone playing an instrument, and you feel the direct connection between the instrument and his brain, because the instrument becomes an extension of his arms and fingers. It's like a scanner of the brain and thought process that you can watch, or hear.
I can't remember who it was - maybe Brian Eno - but some important musician guy said he recorded ambient noise from a city street and after he listened to these field recordings for the millionth time, it was like, "Oh yeah, at 1:23, that's where the car horn comes in." So when you're doing stuff like this, and you've been working on it for a year, you're like, "Oh yeah man, that makes perfect sense!" And then you forget when you give it to people, they're bewildered.
Yeah, once we decided to use that replacement animation, and the seams are a function of that animation, and other movies paint those out, we decided we wanted to keep the presence of the animation and the type of animation that it was rather than make it look polished. It created a kind of vulnerability, I think.
It's a fun show, BoJack Horseman to do, and that gets around. It's easy, especially for a lot of actors who don't do a lot of voiceover. No makeup, no wardrobe, they really just come in, the lines are right there, we goof around for a half hour, and I think it feels like, "Oh, yeah, this is why I got into this business: to play around and have some fun." There's no paparazzi, most of them don't do any promotion for the show. it's the fun part of acting, without the other stuff.
I realized, "Oh my gosh! I'm having a stroke!" And the next thing my brain says to me is, Wow! This is so cool! How many brain scientists have the opportunity to study their own brain from the inside out?"
Doing animation is great fun. It's like a different world.
I'm really comfortable doing voice-overs, but it's really fun to do animation. Those animation talents are hysterical. They're so good, and they're so amazingly quick on their feet.
Oh, yeah, I like a high neck. And I like naked backs. It seems very sexy. Red carpets are about being a bit theatrical - having fun rather than being too safe. You have to be brave. Fashion is fun.
I have a confession. I don't enjoy animation. I have no idea why because I absolutely adore doing voiceovers. I think part of me feels that animation has put an actor out of work.
There's a kind of edge to what you're doing, the kind of leading edge of what you're doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. "I've pulled that one out before. Oh, no, I can't I'm just fed up with that. Let's do something else."And you always think "Oh my God I've never done anything at all like that before." But, of course, in retrospect, and to an outsider, they'll say, "Oh, yeah that's typical Eno.
When you see a movie, it's like you're attending a show of magic in which the magician pulls a rabbit out of a hat. You don't know how he did it, but a part of you is fascinated, or hypnotized, by what happened, another part of your brain says, "Oh, I want to do the same thing! I want to be that wielder of that magic. I want to be that magician on stage, and do the same thing to other people."
As an actor, doing animation is definitely on the list of most actors because it is such a freeing, fun, different experience than being on camera. There's just something different about it that's not more fun, but a different sort of fun.
They said [on a day show], oh, you can't do a Chinese accent. That's - and I said, I'm not doing a Chinese accent. I'm doing my friend's accent. And they said, yeah, you can't do that. And I said, OK, but can I do a Russian accent? And they said, yeah, yeah, of course, you can do that. I said, and a British accent? They said, yeah, go ahead. And I couldn't understand.
When I realized I could actually make my decisions, it was a very strange feeling. It's like a switch went off in my brain, like, "Oh, then why am I doing this? I don't enjoy this, so I'm just gonna stop doing this."
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