A Quote by Patti Harrison
It seems like studios and networks only greenlight stuff that has familiarity to them. If you can be like, 'Oh, it's 'Workaholics,' but it's Asian girls,' they're like, 'Yeah, we've got it. We know exactly what the show is. It's greenlit.'
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Yeah, I didn't ever think about music as a career. Like, it was never - it's just something like an extracurricular activity that my mom put me in. And as every South Asian, you know, like, child, I was like - oh, OK, I can do medicine.
It's just like being a father; you got to show them love and you got to show them the path. I don't like this role-model stuff, though.
I can't remember who it was - maybe Brian Eno - but some important musician guy said he recorded ambient noise from a city street and after he listened to these field recordings for the millionth time, it was like, "Oh yeah, at 1:23, that's where the car horn comes in." So when you're doing stuff like this, and you've been working on it for a year, you're like, "Oh yeah man, that makes perfect sense!" And then you forget when you give it to people, they're bewildered.
It seems like the studios are either making giant blockbusters, or really super-small indies. And the mid-level films I grew up on, like 'Back to the Future' and all those John Hughes movies, the studios aren't doing. It's hard to get them on their feet.
Before 'Twilight' was greenlit, I had four projects at four studios. I worked super-hard on all of them, but 'Twilight' was greenlit first.
It's a fun show, BoJack Horseman to do, and that gets around. It's easy, especially for a lot of actors who don't do a lot of voiceover. No makeup, no wardrobe, they really just come in, the lines are right there, we goof around for a half hour, and I think it feels like, "Oh, yeah, this is why I got into this business: to play around and have some fun." There's no paparazzi, most of them don't do any promotion for the show. it's the fun part of acting, without the other stuff.
My goal's always to connect and relate to my audience. I want them to leave my show feeling like they got to know me better - not only that, but like we could be friends. I want people to leave going, 'Oh my gosh, I could totally hang out with her!'
I like What Goes Around Comes Around for old concert tees. Oh man, I got this 'Sgt. Pepper' cartoon Beatles shirt there; it was, like, $300. I didn't even know how much it cost - I thought it was gonna be, like, $80 at most - till I got to the register and was like, 'Oh mah gawd!' Good Lord. But it's classic vintage rock, you know?
I was at the AMC Century City movie theater with my mom, and we were walking through the lobby, and these girls came up to me, and they said, 'Are you Dallas from 'Austin & Ally' - and I was like, - yeah, yeah. And they were like, 'Can we have a picture with you?' and I was like, 'Yeah sure of course.'
People are sometimes like: "Oh man, you're so talented and you do a bunch of stuff." I'm not! I swear to god, I'm not. I just like learning stuff, I like doing stuff. And I feel like everybody can definitely do it.
When I was looking for financing while making 'Hellraiser,' I wish there was a studio like Project Greenlight Digital Studios behind me.
You take girls, for example. They're copying their moms and magazines and everything to know how to act around guys. I mean it's not like in movies where girls like assholes or anything like that. It's not that easy. They just like somebody that can give them purpose.
I know exactly what it's like to not have a penny. I know exactly what it's like trying to get a job. I know exactly what it's like having bloody one tin of Ambrosia left in the cupboard. But I know I can survive.
I'm happy about the fact that my audience is very open to new music. They're dying for new music. So all I got to do is get up there and show them what I'm doing, and they go oh yeah, I like that.
I like the guys who wrote their own stuff and were able to perform it, like Seth Rogen. He popped off so young. When he did 'The 40-Year-Old Virgin,' and he was a co-producer on the movie, I was like, 'Oh my God: that's exactly what I want to do.'
You know my girls are so funny. You're out in the country and there are critters everywhere and they get a little like, 'Oh my God! Oh no, bugs!' and I had to say, 'Honey this is fine. This is their world and it's all part of being in the country.' I realized, 'Oh my God, my girls are really city girls.'
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