A Quote by Patti LaBelle

I can't do some of the songs that younger girls like Mary J. Blige and Beyonce are doing. They have their own place and I have my own place. — © Patti LaBelle
I can't do some of the songs that younger girls like Mary J. Blige and Beyonce are doing. They have their own place and I have my own place.
I have a very eclectic iPod. So I've got my cardio people - so it's anything from Beyonce to some Jay-Z to Janelle Monae, her song 'Tightrope,' that's a good cardio song. And then I've got Sting. I've got Mary J. Blige. I've got The Beatles. I've got Michael Jackson. I try to pick the songs that I personally love.
I suppose in some ways doing some of the songs in the show felt a bit like I was doing cover versions. I was covering myself. Not that they didn't feel like my songs, but the way I was approaching them was from a place so outside where they were written. The fact that these songs were in the context of a live show was a new thing.
You don't have to place your hand on Mary's heart to get strength and consolation and rescue, and all the other things we need to get through life. You can place it right here on your own heart. Your own heart.
The younger Mary J. Blige, I would call her, she was very unaware, ignorant.
When I look at the majority of my own songs they really came from my own sense of personal confusion or need to express some pain or beauty - they were coming from a universal and personal place.
The thing that most distresses me is whenever I see things over sexualized, I worry about young girls. Some of the fall out of the feminist movement is that it made younger and younger girls more sexually available. It's part of the philosophy, be your own person and be free. But, girls are so over sexualized in this culture.
Mary doesn't want to be treated as Mary J. Blige: she just wants to be Mary.
When I first started singing in Paris, I sounded horrible: I was just singing to get some money to eat. And I wasn't singing my own songs: it was Bob Dylan, Bob Marley, Jimi Hendrix. Eventually, when I wrote my own music, my style just came out of my own place.
It's great for my daughter to see Beyonce and Taylor Swift, women that are in charge of their own careers, writing songs from their own perspective and taking people to task. That's very different from when I was growing up - it was all like, 'Stand by your man.'
I have my own marketing company, Always Civil, where I help artists create their online identity. I have worked with Lil Wayne, Young Jeezy, Mary J. Blige, Pusha T - the list goes on.
The only person that I'm really feeling - because she has an identity of her own, even though she has listened to Mary J. Blige - is Jill Scott.
I wouldn't say there's a need for the Spice Girls, but I'd say there's a place for the Spice Girls. There's certainly a place for them, but you don't promote the Spice Girls at the expense of promoting what I think are good role models for girls. You need to create some kind of equality.
Leave bands, go back to obscurity if I choose to, without a great sense of loss of security because it's all been based on the fact that I did it on my own or was doing, enjoying doing it on my own in the first place.
He [directo Park] gave me a sculpture, a jaguar. It is the animal, obviously, and it is in my bedroom at my parents' place at the moment. But I am just about to move into my own place and I shall put it somewhere there. I shall make sure it has good lighting. This will be my first place of my own and I am so excited.
This is a dream come true. To wake up in a place that I own and go to work in New York City as an actor - I feel like Mary Tyler Moore throwing her friggin' hat in the air.
One of the album's songs features Mary J. Blige, but I don't want to talk too much about it yet. I think you will hear the music that's been playing in my head when it comes out
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