A Quote by Patti LuPone

I don't listen to the contemporary pop artists. They all sound alike, anyway. — © Patti LuPone
I don't listen to the contemporary pop artists. They all sound alike, anyway.
Music is all starting to sound alike in the modern era. Afro-pop sounds exactly like L.A. pop - there's no difference, no ambience, no real resonance.
When we talk about contemporary art and contemporary artists, we usually imagine artists who are alive. But I feel very uncomfortable about placing a border between living artists and dead artists.
I always listen to all kinds of different music from different years. I listen to the contemporary, but once in a while into eighties, you know just for fun, and sometimes classical too. So I have this big mix on my i-pod... Amy Winehouse, Gwen Stefani, OutKast, Jay-Z. I listen to trance, pop, everything. It really depends on my mood.
I listen to a mixture of old jazz, contemporary, pop, some world beat stuff and various odds and ends.
I've worked with jazz artists, country artists, classical artists, pop artists. I never wanted there to be categories, because when I was a kid there weren't.
I see a sea of networkers all doing and saying the same things. They look alike, act alike and sound alike when speaking to prospects. If you want to rise above the average, mediocre networker... then you have to think differently.
There are times when I'm under the weather and the corporate machine tries to put me in the recording booth anyway. It's always up to me to say, 'Guys, listen to me, listen to what I sound like. I'm not myself.'
I really tried to go for that sound of the '60s pop melodies but I'm living in the present so that makes it contemporary. I like to pretend I'm outside of myself and that is what the recordings and the process helped me to do.
That is an editor. He is trying to think of a word. He props his feet on a chair, which is the editor's way; then he can think better. I do not care much for this one; his ears are not alike; still, editor suggests the sound of Edward, and he will do. I could make him better if I had a model, but I made this one from memory. But is no particular matter; they all look alike, anyway. They are conceited and troublesome, and don't pay enough.
Artists are creating their own genre sound, and other artists are building upon that sound and already creating a huge subculture created around one particular sound created by one artist. So, with all that happening, the genres are going to break down, and there's going to be a multitude of sound coming out.
What's good is that my music is different from everyone else's. It's got the soul element, like Duffy, but it's not very retro. It's a contemporary, pop, fresh sound. That's what makes it different.
I see myself in pop culture. I listen to pop music, I do pop things, and I'm also a scientist.
You listen to Charlie Parker or John Coltrane before they found their voice, they sounded different. And when you listen to them after they found their voice on their instruments, they sound more confident and in control. Artists have that, too.
I listen to Ustad Vilayat Khan's 'Raga Khamaj' and 'Raga Jaijaiwanti' virtually every morning, a lot of Abdullah Ibrahim, Michael Kiwanuka, Savages, and contemporary Ugandan pop.
I try to listen to over a hundred different songs a day. I listen to every single thing. If you're just listening to pop music, you're just gonna make pop music. I listen to Adele, Yo Yo Ma, Gucci Mane.
You listen to Handel operas, right? And there are a thousand of them, right? And they all sound alike. If I look back on my work, maybe it's the same thing.
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