A Quote by Patti Page

A lot of the music, and especially rap, I don't understand. — © Patti Page
A lot of the music, and especially rap, I don't understand.
I grew up listening to a lot of emo music, a lot of rock music, a lot of rap music, a lot of trap music, funk, everything.
I don't have any sympathy for the subject matter, [but] I have great respect for rap artists. In fact, not for the rap artists, but the people who make the music over which they rap. Rap music - the music itself is incredible - but [the people that make the music] are hardly ever credited.
A lot of Utah State when I was there, there was a lot of California guys. So, you get a lot of Cali music, you got a lot of dance music, I think the Jerk was popular back then. It was a lot of the music that you can dance to with your teammates. A lot of hip-hop, rap, R&B, it was really fun. It was live in there.
I've never been a rap guy, I don't really know that much about rap music, to be honest. I like it, but I think what really happened was just my music seems to work so well with rap music.
Rap isn't poetry, not least because it involves music and often other elements that aren't words. But the way poets in English use things like rhyme and meter, and the ways these conventions both do and don't apply to rap we try to lay out the rules for rap, in order to understand the techniques that artists like Jay-Z and Kanye employ.
I feel like when it comes to rap - like, real rap music - and knowing the pioneers of rap, I feel like there's no competition for me in the NBA. Other guys can rap, but they're not as invested or as deep into actual music as I am and always have been. I think that might be what the difference is. I'm more wanting to be an artist.
New Orleans is just so full of culture in the music content - blues, folk. I was introduced to a lot of things. My mother didn't keep me away from other music. She only kept me away from rap. The closest I got to rap was D'Angelo.
I did not like that name "world music" in the beginning. I think that African music must get more respect than to be put in a ghetto like that. We have something to give to others. When you look to how African music is built, when you understand this kind of music, you can understand that a lot of all this modern music that you are hearing in the world has similarities to African music. It's like the origin of a lot of kinds of music.
When you've been raised in care, rap music isn't just about guns and sexism. They're talking about real things you can hang on to, problems of identity that you have sympathy with. It's not just about the music, with rap: when I was in care, it meant a whole lot more than that.
You gotta do a lot more than rap. Rap is not just rap. If you don't have an image, you're not capturing nobody's attention.
My music is airy; it's spacious. It requires you to be able to rap and articulate your message over it. That's what the beat demands of you. Not a lot of people try to rap over my beats because it's a bit of a task.
I'm into a lot of music, definitely a lot of rap. 'Dedication 4', the Lil' Wayne album. Actually, I've been getting into some Swedish house music; the beat just keeps me going a little bit.
When people say to me 'what do you think of rap music?' my answer is there's no such thing. There's rap and there's music.
When people say to me, 'What do you think of rap music?', my answer is, 'There's no such thing. There's rap, and there's music.'
There is rap music in all my films. In 'La Vie des Morts,' there is rap music too. It's because I'm French, and when it appeared in 1978, it was so new, it set off my musical imagination.
Rap is hardcore street music but there are women out there who can hang with the best male rappers. What holds us back is that girls tend to rap in these high, squeaky voices. It's irritating. You've gotta rap from the diaphragm.
This site uses cookies to ensure you get the best experience. More info...
Got it!