A Quote by Patti Smith
I was always a tomboy as a kid. I always had boyfriends. I was just a regular girl growing up in the late '50s and early '60s, but I was never really attracted to what the girls were attracted to: makeup, my appearance, homemaking.
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I guess I've always been really attracted to period pieces and always felt visually I was probably more made for the '50s or the early '60s than I am for a modern day.
For better or worse, we have evolved for sure, but we've also maintained a certain core about who we are, which is we were raised on late '50s and early '60s rock n' roll and R&B, and you can always hear that throughout. And that's just always been who we were. As much as we've evolved, that's stayed the same.
My father was very funny, so I grew up with humor in the house. And I was always really attracted to comedies on TV. I was always really attracted to comics.
I've always been attracted to the 'don't follow the rules' type of girl, the rocker girl. I've always been attracted to somebody who you can lose yourself in the moment with. You can hang out with her, and it's like you're the only two people in the room.
I had never been attracted to younger guys. I had, from my late teens, always liked men who were older than me.
I've never been the guy to go for the celebrity girl. I've always liked regular girls, regular people, because I've always viewed myself as a regular person who just happens to be gifted in music.
I had always been interested in politics. I had assumed - for two reasons, being Jewish and being gay back in the late '50s, early '60s - that I would never be elected or anything, but I would participate as an activist.
I had always been interested in politics. I had assumed, for a variety of - well, for two reasons, being Jewish and being gay back in the late '50s, early '60s - that I would never be elected or anything, but I would participate as an activist.
When I was growing up in the '50s, I had never heard of a "woman film director," so I did not consider it as an option. But I was fortunate that in the late-'60s and '70s, because of the feminist movement, women were stepping into all sorts of careers that had been closed to them in the past and film was one of them.
For a little kid like me, growing up in Carle Place, you put on John Lee Hooker late at night, and it's a different reality. I try to feel that music from the inside out because I was really attracted to it.
I never had any dates. I never really had any boyfriends. I was the girl who did the guys' homework. I was really crazy about guys but I was always like one of the boys. The guys I always fell in love with were completely inaccessible.
I'm always scouring the universe for great old instruments from the '50s and early '60s. That's really, for me, the golden age of basses, when they had just been invented within 10 years of that period and they had just started to come into their own, especially the old Fender jazz basses and old Rickenbackers and Gibsons. I'm always on the lookout. It's fun.
I got scouted when I was 16, almost 17, and it was something that had never entered my thoughts. I never thought I could be a model. I was such a tomboy growing up, and I've never really been into makeup or anything like that, so it was really surprising, but I definitely saw it as an in for acting.
I'm not attracted to naturalism, I'm not attracted to behavior, I'm attracted to dance. I'm attracted to gesture, I'm attracted to singing with your voice, as opposed to having a natural manner. I'm a theater actor first, so that probably influences a lot of my approach. And I think in many ways, naturalism has ruined movies.
I wasn't allowed to watch regular television when I was growing up, only PBS, so I watched 'Masterpiece Theatre' and a lot of Jane Austen. I loved stories where the girl is attracted to a man and it looks like it's not going to work out.
I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late '50s, early '60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism. I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late '50s, early '60s, the neo-realism lost its great energy and became comedy.
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