A Quote by Patti Smith

I hadn't performed or been in the public eye for about 16 years. When my husband passed away, I was obliged to go back to work to take care of our kids. I also wanted to do a record in memory of him. So we did Gone Again. During that process, I had to be photographed and had to go back to doing articles and interviews.
When I lost my husband [Oliver "Doolittle" Lynn], I just didn't want to work so hard anymore. I hate that I didn't quit things a lot more before he was gone. I stayed home for six years to take care of him but, at some point, I also felt I had to go back to work.
I actually had another motivation for letting Steven [Sebring] film us. After I'd been out of the public eye for 16 years, lost my friends and lost my husband, some of my confidence had been undermined. Steven made the process of filming fun; I could pretend that we were in something like Don't Look Back.
I go on the bus, I walk. A friend left his car recently at my house and I took it out one day just for 15 minutes and it was terrible. You know why? I felt like I was back in LA again. Four or five years ago, when I had a car and I had been out of the city I wouldn't feel I was back until I got in the car, you know. But now I feel off the grid. I feel that I am not part of the culture. And because I don't have a car I don't really go anywhere to buy things. In fact, I have been in a slow process of selling and giving away everything I own.
It is true you can be successful without [college], but this is a hard world, a real world, and you want every advantage you can have. I would suggest to people to do all that you can. When I dropped out of school, I had worked in the music industry and had checks cut in my name from record labels and had a record deal on the table, and when I wasn’t successful and Columbia said, ’We’ll call you,’ I had to go back and work a telemarketing job, go back to the real world, and that’s how life is. Life is hard. Take advantage of your opportunities.
Honestly, you got to take care of the people that take care of you. I know that sounds like cliche, or borderline phony, but that's the case. The reason I've had the fans that I have is because I've been consistent over the years and kept coming back and doing the same runs. I'm never going to stop doing the cities I've gone through. I'm only going to add.
It's good to go back and look at what other states are doing. For example, Mayo Clinics and the University of Minnesota had a collaborative grant program that we modeled our program after, so we went back to talk to them about the successes of their program. It's been very successful, the state is going back to fund it again, and it's resulted in a great deal of collaboration and specifically patented technology.
He wanted to care, and he could not care. For he had gone away and he could never go back anymore. The gates were closed, the sun was down, and there was no beauty left but the gray beauty of steel that withstands all time. Even the grief he could have borne was left behind in the country of youth, of illusion, of the richness of life, where his winter dreams had flourished.
These were the moments when I was disappointed and frustrated, when I got so low because it seemed all my hard work had been wasted. But the moments passed, and the motivation to go back to rehab was there again.
I wanted to make a film - and I've been wanting to do this for 16 years - about life in care, and bring it to the public's attention, because I had never seen anything, on TV or in the cinema, which said: 'This is how it feels to be a kid in care'.
We always had one eye on doing Saturday night TV even when we were back doing mornings. That's where we wanted to go to get a bigger audience.
I've had two neck surgeries, a back surgery, three knee surgeries, eye surgery, but I keep bouncing back. I won't go away - kind of like a virus. I don't go away. I keep coming back stronger and stronger. I'm contagious.
I was forced away from the plantation because I wouldn't go back and withdraw, you know, my literacy test after I had tried to take it. I wouldn't go back.
As the years pass, I find that writers who were once central to me aren't anymore. I revered Yeats's poetry in college. I respect it now and am still ravished by certain lines, but I don't go back to him again and again. I do go back to Emily Dickinson again and again.
I had to go back and work on my bowling when I first came in. I was out of the team for three-four months before I came back into the ODI team again. I had to work on my bowling, which I did and the results are coming.
Though [John] Hughes did provide for us, if we wanted, to go to a local high school and try to blend in. Michael [Hall] and Molly [Ringwald ] already had school to go to with their tutors. Ally [Sheedy] wanted nothing to do with high school. She said, "I remember it fine. I don't want to go back." Which is great. So Emilio [Estevez] and I went. And Emilio lasted a couple hours because people recognized him from The Outsiders that had already been out, so his cover was blown.
One of my superstitions had always been when I started to go anywhere or do anything, not to turn back, or stop until the thing intended was accomplished. I have frequently started to go places where I had never been and to which I did not know the way, depending upon making inquiries on the road, and if I got past the place without knowing it, instead of turning back, I would go until a road was found turning in the right direction, take that, and come in by the other side.
This site uses cookies to ensure you get the best experience. More info...
Got it!