A Quote by Patti Smith
I think I work in two worlds. I'll always try to kick through a wall. I did that when I was younger and I still have my way of doing that.
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I'm committed to sign in everything I communicate, but I also speak. I still believe that I reach more people when I do that. I bridge two different cultures and two different worlds, and I think that bridge still needs work.
Broadcast TV has a very classy but old-fashioned way of doing television. That's what it's always going to be. But you've still got to introduce young talent and ideas and shows to the masses. That's the way you build a bigger and younger audience, introducing younger writers, comics, TV shows to viewers.
Even as a kid, I'd kick a tennis ball against a wall with both feet for hours. That was one way to become two-footed.
The problem I've always discovered in my own work when this kind of thing happens when you hit the wall is there's almost always a reason. You've almost always made a mistake in the initial conception of the project. You misapprehended something or you thought something would work and now you're three quarters on the way through and you see that it doesn't work.
Wes Anderson is a perfectionist, so you have to just be ready to try it this way, try it this way, try it that way, and then try it this way. And then, once you think you've got it all and it's done, then you're going to be called back in two or three months so you can try it that way and try it this way. You've got to give him all of it.
However varied you try to make your work, you still bump up against the end of you. You keep knocking into a wall, and the wall is your own skull. But when you adapt somebody's work, it's like a door into somewhere else. It feels like a holiday from myself.
It's tough when you started out as young as I did to look back and see how far I've come. I try to be easy on myself and go 'Look man, you were younger, you were learning; you learn, you grow.' But I'm not my best judge. I always feel like my best work is still ahead of me.
I do think that some of my songs, like Take a Minute, are like the train between the two worlds. It starts out with the question of "how did Gandhi ever withstand the hunger strikes and all / he didn't do it to gain power or money as I recall," and its sweep reaches all the way to this part of the world. I think maybe I'm a translator, because I lived in both worlds and truly understand them. I understand the discontent that comes from not having. But I also understand the anxiety that comes from wealth and convenience.
I did a bit of boxing when younger. Once I was joined by Muhammad Ali as my co-commentator. I've got a picture of the two of us together ringside at the Albert Hall on my wall at home.
"I liked the feeling of love," [Jonas] confessed. He glanced nervously at the speaker on the wall, reassuring himself that no one was listening. "I wish we still had that," he whispered. "Of course," he added quickly, "I do understand that it wouldn't work very well. And that it's much better to be organized the way we are now. I can see that it was a dangerous way to live." [...] "Still," he said slowly, almost to himself, "I did like the light they made. And the warmth."
All I really think about is, 'Don't try to kick the ball too hard,' because a lot of times when I missed kicks, it was because I tried to kill it. I just try to think of a smooth swing, being slow and under control, and making the kick.
If you have the abilities to earn a lot of money and if you have the character to persist in giving that to the most effective charities you can find, then that may be the best thing that you can do. And - also, if you do become a Wall Street banker, I think you need to be aware of what you're doing in terms of your daily work, not just earning money to give a lot away. But you need to think about - am I harming people through the work that I'm doing?
What is drawing? How does one get there? It's working one's way through an invisible iron wall that seems to stand between what one feels and what one can do. How can one get through that wall? - since hammering on it doesn't help at all. In my view, one must undermine the wall and grind through it slowly and patiently.
I find myself getting associated with a lot of younger people in the game. I still enjoy playing with them, and I think they still enjoy playing with me. As long as I can stay competitive and have fun doing what I'm doing, I guess I'll keep doing it.
You always want to try, in everything you do, to attempt something you've never tried before, and the only way to succeed at that is through failure, and the only way to succeed through failure is just banging your head against the wall over and over until you get to that interesting thing on the other side.
I've done and said a lot of things when I was younger that I don't know if I even understood what I was doing or why I was doing it. There's a lot of compassion in understanding what people go through and even in trying to understand why a person would act the way they do. I was a very reactive person, and I did things that were just really bizarre; I don't think people understood it at all.
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