A Quote by Patti Smith
The whole process of working with Steven [Sebring] and being filmed by him helped me psychologically to get my feet back on the ground.
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If someone didn't want to be filmed, or my children said, "Don't film me anymore," [Steven Sebring] didn't try to sneak a shot or cajole them; he just respected their wishes.
Steven [Sebring] just fell in with my family life. He helped me wash the dishes and play with the kids. I could tell that he was a person who understood families.
I actually had another motivation for letting Steven [Sebring] film us. After I'd been out of the public eye for 16 years, lost my friends and lost my husband, some of my confidence had been undermined. Steven made the process of filming fun; I could pretend that we were in something like Don't Look Back.
The truth is, no matter how modest Steven [Sebring] is, he was obsessed with the outcome of the film [Dream of Life]. Every single frame was important to him.
I had met Michael Stipe, and he was such a kind person, and extremely understanding, so I asked him if he knew a photographer who would come to Detroit, where I lived, who would be child friendly and who would respect my home. Michael suggested Steven [ Sebring]. One day a knock came at my door, and when I opened it, there was Steven. He's been like a brother ever since.
As far as getting my start, it was really Norman Lear, even aside from being on 'All in the Family.' He helped me get my start as a director. He was the one who said, 'Let him do 'Spinal Tap.' Let him give it a try,' because I had been trying for years to get that thing off the ground.
[Steven Sebring] presence was also nice for my children, who, having just lost their father, quite naturally craved warm male attention. They gravitated to him right away.
The Underneath was my first film. Steven Soderbergh. I remember that I thought, "Wow, this is such a highlight. Am I ever going to get back to this?" Loved working with Steven and in Austin, Texas, one of the rockin'-est towns in America. I'll always remember it, because I was really grateful that someone finally hired me for a movie.
I was working at a restaurant, I booked the role in 'Twilight,' put in my two weeks' notice, got fitted, flew to Portland, filmed, and then it started getting hype. That helped me get my foot into certain doors before the movie even came out.
It's Steven's [Sebring] view of what he saw in traveling and working with me. But on another scale, I think the film [Dream of Life] is very humanistic: It touches on motherhood, death, birth, art, laundry, anger against the Bush administration... While I don't think it's the kind of film where one goes to find some of the darker, edgier aspects of life, the film was born of grief.
Weight training and working on being explosive helped me gain a few yards of pace. Even when I was small, I was stocky. Even if people pushed me, I managed to stay on my feet.
Steven [Sebring] was documenting me as a widow with two children, going from 50 to 60 years old. My focus, during that time, was to rediscover myself, stay healthy, take care of my kids and reestablish a relationship with the people.
For me, each one of those experiences stands on its own. The first one was with Steven Spielberg, who helped me to get an agent and vouch for me, and that gave me the confidence to continue.
After another half second, he's locked me in a bear hug, crushing me into his chest and lifting my feet a couple inches off the ground as I kick furiously with my heels, twisting my head back and forth, snapping at his forearm with my teeth. And the whole time his lips tickling the delicate skin of my ear. "Cassie. Don't. Cassie..." "Let...me...go." "That's been the whole problem. I can't.
It's important for me to go back into the ghetto, where I'm from. I still get my oxygen from there. I don't live in the ghetto but every time I go back, I'm seeing the same things that I lived. That's one of the things I mean when I say, "My feet back onto the ground."
I remember when I fought Kevin Randleman, I was so wary about him taking me down, I figured it if he takes me down, was going to be so hard for me to get back up because he's just so good at ground and pound and keeping you on your back and it takes so much energy to get back up.
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