A Quote by Patti Smith

The cult of celebrity in the '60s and '70s was really more reserved for movie stars or high socialites. Paparazzi didn't care about Janis Joplin. — © Patti Smith
The cult of celebrity in the '60s and '70s was really more reserved for movie stars or high socialites. Paparazzi didn't care about Janis Joplin.
I remember the first time somebody played me Janis Joplin. My friend Donna put on Janis Joplin, and she said, 'You're like her.' At the time, I wasn't even a singer; I was a drummer. I just wanted to play the drums.
Nikki Lamborn has the best female rock voice since Janis Joplin and I know what I’m talking about, I knew Janis.
Sports figures are to the '70s what movie stars were to the '60s.
I work in the '60s more than I've done anything else. I did a movie, called Down with Love, in the '60s. I did a movie for HBO, about the Johnson administration in the '60s.
I work in the '60s more than I've done anything else. I did a movie, called 'Down with Love', in the '60s. I did a movie for HBO about the Johnson administration in the '60s.
I remember thinking that Janis Joplin sang like Mae West talked. When I first heard the primal scream in 'Piece Of My Heart,' I was hooked. 'Cheap Thrills,' Janis 'Live' with Big Brother And The Holding Company, was one of my all time faves. During the 'whoa, whoa, whoa, whoa's' in 'Combination Of Two,' I couldn't help but go to the mirror and pretend I was a wild woman like Janis, in a rock band.
Hollywood is about playing the game, and I can't think of any successful actresses who didn't play the game. There's a lot more renegades in the music business, from Patti Smith to Janis Joplin.
I am an old-school guitar player. I'm not an '80s-'90s sort of shredder who plays a million notes a minute. I am way more '60s-'70s kind of style, and I write very '60s-'70s.
People have a certain perfection about them, no matter who they are. Like when Janis Joplin sang. Gorgeous!
My grandfather was Bob Shad, one of those legendary jazz and blues producers - he worked with Charlie Parker and Dinah Washington, and he produced Janis Joplin's album [1967's Big Brother & the Holding Company]. He always owned small labels as well - he had a label called Mainstream Records in the 70s.
There is the cult of the actor and of the director, and there's even been the cult of the celebrity chef and gardener, but there has never been a cult of the screenwriter. But I'm happy about that because what I crave - in a completely venal way - is creative opportunities, not recognition.
The money is in a different league these days, of course, but I have special memories of the 60s and 70s which players today don't have. There wasn't the same celebrity attitude and media exposure. We had a bit more freedom.
Being an intellectual creates a lot of questions and no answers. You can fill your life up with ideas and still go home lonely. All you really have that really matters are feelings. That's what music is to me.” – Janis Joplin
History has a way of coming back to you. In the case of Janis Joplin appearing at the festival in 1968, her performance affected the life of a Bostonian who is now a member of the Newport Festivals Foundation Board of Directors. Ward Mooney was so affected and emotionally involved in Janis’ performance at Newport, that when he heard the festival was going nonprofit, he knew wanted to become a part. Janis was beautiful, gracious and respectful, and the power of her Newport performance continues to live on.
I remember my mom dressed like Janis Joplin.
I really don't care what movie stars have to say about life.
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