A Quote by Patti Smith

Horses pretty much broke as a record in England. — © Patti Smith
Horses pretty much broke as a record in England.
After I broke my leg I had to go back and do one of the remakes of 'The Magnificent Seven' and ended up on a horse that pitched me off and broke my leg again... I rode horses pretty well. I just didn't like doing it.
Horses frighten me as much as chickens do,’ he said. ‘That is too bad, because lack of communication with horses has impeded human progress,’ said Abrenuncio. ‘If we ever broke down the barriers, we could produce the centaur.
When the first record came out, I'd go down to radio stations pretty much every day to get the record played, and I would walk in and they'd tell us how much they loved the record, but they weren't sure how much they could play it because they were already playing a girl.
If I were to leave the U.S., I'd live in England. But I'd never leave the U.S. I own a 400-acre farm in Macon, Georgia. I raise cattle and hogs. I own horses, too. I love horses as much as singing. I like to hunt on horseback.
After I broke the Australian record in 2014, Audi Centre in Canberra gave me a beautiful black A1 with the number plates AI 1111, because the record I broke was 11.11 in the 100.
Those things on the Internet that tell your net worth are wrong for pretty much everyone. When I started YouTube, I was pretty broke and it said $1 million then.
I like to record something pretty much as soon as I have an idea for a song, but I'm on so many buses, I have to record on my mobile.
When Jazz broke through in England, I remember sneaking to listen on the radio much to my parent's disapproval.
It's an unfortunate situation. After such a great play I felt like I got hit late, no flag, broke my hand. That's it. That's pretty much been the story for the past three weeks, and obviously at some point something catastrophic was going to happen, and I broke my hand.
I'm part of this show called "Shots Fired" that is premiering on FOX. It's right after the Super Bowl. It's a pretty incredible show. I'm pretty much the voice of the show, so the voice of the opening credit record and the songs in between is pretty much my voice.
We made 'Wretched and Divine,' and as much as I love it, it's a pretty sparkly record - it's a record that could be done as a play because it's very theatrical with no grit.
Not all horses are going to be show jumpers, not all horses are going to be dressage horses. So you have to sort of find where the horse physically fits into what might suit him, but all horses can be comfortable and all horses can have good, solid fundamentals.
We're like pretty horses, and just as on horses, they mean to put blinders on us so we can't look left or right but only straight ahead where they would lead.
I was really small when jazz broke through in England and I can still remember sneaking off to the living room to listen to it on the radio - much to my parent's disapproval.
The corncob was the central object of my life. My father was a horse handler, first trotting and pacing horses, then coach horses, then work horses, finally saddle horses. I grew up around, on, and under horses, fed them, shoveled their manure, emptied the mangers of corncobs.
To be successful to me meant to have a hit record in England. I never looked outside England.
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