A Quote by Patti Smith

My parents were very well read. They were both New Englanders, not highly educated, but they had a sophisticated... they were both very humanistic, and they were sophisticated readers.
I think what shaped me was I had two parents who were scientists, and especially, they were great readers. They had both grown up in sort of rural parts of the South and were oddballs where they grew up. They were budding intellectuals.
We were both very much the same. We were both very impulsive. We both loved life. We both loved shopping. We both had a love of clothes, obviously, because he was the designer that I kind of wore forever and ever.
My parents were both very musically inclined, they were both songwriters and musicians, so we grew up in the house singing music together, and R&B had a huge strong arm in the foundation of my career.
My parents, they were both Socialists; they were young - 30, 31. They were both successful career people. They had been teachers, and my dad spoke English.
My parents both were doing the Civil Rights Movement, were very involved with the civil rights to Congress. And my friends' parents were as well.
By the grace of God, my parents were fantastic. We were a very normal family, and we have had a very middle-class Indian upbringing. We were never made to realise who we were or that my father and mother were huge stars - it was a very normal house, and I'd like my daughter to have the same thing.
Your average pop song or film is a very sophisticated item, with very sophisticated ways of listening and viewing that we have not really consciously developed over the years - because we were having such a good time
Your average pop song or film is a very sophisticated item, with very sophisticated ways of listening and viewing that we have not really consciously developed over the years - because we were having such a good time.
Lincoln and Clinton had a lot in common in the way they were elected: In both cases, they were dark horses. In both cases, they were from small states. In both cases, they were not the favorite for their parties' nomination.
Often when you get a really good script, and you receive the new pages, you see that the entire thing has been dumbed down. Films in the '30s and '40s, that were huge blockbusters, were very sophisticated in their language, and the ideas they brought. There were no questions about whether the audience would get it or not.
In the thirties a whole school of criticism bogged down intellectually in those agitprop, social-realistic days. A play had to be progressive. A number of plays by playwrights who were thought very highly of then - they were very bad playwrights - were highly praised because their themes were intellectually and politically proper. This intellectual morass is very dangerous, it seems to me. A form of censorship.
We were both [ with Russel Crowe] hand-plucked to do [The Quick and the Death]. He had done Romper Stomper and I had done Gilbert Grape and so we were hand- plucked to do this big budget film. So we were both very bright-eyed and bushy-tailed.
My parents were both lawyers and were very active in social causes when I was young.
The mentality that I have now comes from my parents, both of whom were judo fighters and they were very competitive.
My parents are from the South - they were both born in Birmingham - so my dad saw R.E.M. really early on when they were playing college stuff in Athens. He had a bunch of their cassettes from the '80s, and when I was 8, 9, or 10, those were the sort of things that were around the cassette player in the living room.
My parents were both very intellectually honest, straightforward, and for them, faith meant that you were fully engaged.
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