A Quote by Patti Smith
When I was a child, I was certain that I could remember what it was like to live on Venus; I could remember what it was like to live in the American Plains. I could remember. And it's ancient memory. We all have it. It's just that some of us access it more than others.
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I think that when you remember, remember, remember everything like that, you could go on until you remember what was there before you were in the world.
The heart of most spiritual practices is simply this: Remember who you are. Remember what you love. Remember what is sacred. Remember what is true. Remember that you will die and that this day is a gift. Remember how you wish to live.
One often feels as though something had happened before, I remember. It comes quite close to you and stands there and you know it was just this way once before, exactly so; for an instant you almost know how it must go on, but then it disappears as you try to lay hold of it like smoke or a dead memory. "We could never remember, Isabelle," I say. "It's like the rain. That has also become one, out of two gasses, oxygen and hydrogen, which no longer remember they were once gasses. Now they are only rain and have no memory of an earlier time.
On the American side, some of the movies that I watched when I was a kid, like E.T. or The Wizard of Oz, those are films that changed my point of view of what film could be, of what you could do. Those are the ones that I remember were incredible when I was younger.
Some people say they use images to help them remember intricacies. Others say they just remember. If they are able to form an image of the face, it is because they remember how it was: it is not that an image guides memory, but that memory produces an image, or the sense of imaging. We have no agreed way to talk clearly about such things.
Even if I seemed to remember, I could not know. For just to remember something is not to know if it really happened. That is a primary fact of the inner life, the most difficult fact with which we must live.
I remember with strong feelings the families who joined our movement and paid dues long before there was any hope of winning contracts. Sometimes, fathers and mothers would take money out of their meager food budgets just because they believed that farm workers could and must build their own union. I remember thinking then that with spirit like that... we had to win. No force on earth could stop us.
I just remember really loving words and writing about anything I could, and the way I'd remember things, like my library card number, was to make a melody.
What made losing someone you loved bearable was not remembering but forgetting. Forgetting small things first... it's amazing how much you could forget, and everything you forgot made that person less alive inside you until you could finally endure it. After more time passed you could let yourself remember, even want to remember. But even then what you felt those first days could return and remind you the grief was still there, like old barbed wire embedded in a tree's heartwood.
I actually started singing in church when I was about five years old. I remember looking at the choirs and just hearing all of those great big beautiful voices. And there was this one woman who could just wail. And I remember trying to sing like her when I was like going home.
Darling, I wish I could help you. Try to remember this: to live, you need every experience. Some will come in glory and in beauty, and some in pain and what seems like ugliness. But - they are. Life consists of opposites in balance.
I've always felt heroic about my life... As a child, I remember little girls in the playground moaning about how boys could do more than they could. I didn't think that was the case at all. My parents didn't treat me as a girl.
I actually remember getting asked when we were at the Cannes Film Festival, what I expected to do next. I remember feeling like there was no way I could've imagined that something like Tetro would have happened to me.
People would be like, 'Oh, 'Saturday Night Live' is such a stepping stone!' And I remember being like, 'A stepping stone?! This is my everything! I could just stop right here! This is the pinnacle!'
But the moment you use an ordinary camera, you are not seeing the picture, remember, meaning, you had to remember what you've taken. Now you could see it of course, with a digital thing, but remember in 1982 you couldn't.
As a memorial, I'd like a statue. Not of me, but a little modern statue, in marble or bronze, maybe of a bird, in a park where children could play and people going by could see it. On it, I'd just like it to say: 'Maeve Binchy, storyteller' and people could look at the name and remember that they'd seen it somewhere else.
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