A Quote by Patti Smith

Truthfully, I don't really think of myself as a photographer. I don't have all the disciplines and knowledge of a person who's spent their life devoted to photography. — © Patti Smith
Truthfully, I don't really think of myself as a photographer. I don't have all the disciplines and knowledge of a person who's spent their life devoted to photography.
Different levels of photography require different levels of understanding and skill. A "press the button, let George do the rest" photographer needs little or no technical knowledge of photography. A zone system photographer takes more responsibility. He visualizes before he presses the button, and afterwards calibrates for predictable print values.
To us, the difference between the #? photographer as an individual eye and the photographer as an objective recorder seems fundamental, the difference often regarded, mistakenly, as separating photography as art from #? photography as document. But both are logical extensions of what photography means: note-taking on, potentially, everything in the world, from every possible angle.
I want to tell you about a woman I have been married to for ten years, my wife, Ann, who speaking truthfully, saved me from myself. Who saved me from destroying myself because of my background. Who saved me from wasting my life, drinking my life away, never fulfilling my dreams because of what I had come from, and truly believing and loving - truly the first person to ever truthfully, unconditionally love me.
I don't think of myself as a photographer. I've engaged questions regarding photography's role in culture... but it is an engagement with a problem rather than a medium.
Photography for me has been tremendously good, because I'm not a very sociable person. I'm happy reading or sitting in the library or going for walks. So photography has brought me in contact with people and made me understand people in a way that I probably wouldn't have done if I hadn't been a photographer. And so I'm grateful for that, really.
I was the shiest person you could think of. I didn't really speak. I was an only child, so most of my life I spent in my bedroom playing with toys by myself, speaking through them.
I am such a person of words. I've spent so much of my life trying to get it right, say it right, say it eloquently, say it truthfully, say it honestly, that when I hear it said in ways that none of those adverbs would describe I find myself so repelled that it almost shuts my mind off.
I never considered myself a good photographer. I still don't. I thought of myself as a hard worker. My camera was a sponge and I had an instinct that athletes have - anticipation. Photography really represents an enormous amount of anticipation - understanding what might be there the next moment and being prepared for it.
I think of myself as a reportage photographer. I like the word. It implies a personal account of an observed event with connotations of subjectivity but honesty. It is eye-witness photography.
What's happened is that the digital age has made photography more accessible to people. Everyone is a photographer. But to do it [photography] at a certain level, well, there's a skill to it. Still, it's a good time for photography now.
[Photography] can be tiny, on your phone, or it can be a billboard, or a film-sized projection, or printed in a magazine. I don't think we've been in a time before when so much photography is available in so many formats, when everybody is a photographer.
I think a life in music is a life beautifully spent, and this is what I have devoted my life to.
I read like a crazy person, I play the piano, and I'm a photographer. I always say my photography keeps me sane. I spend a lot of time in the darkroom. It's a very solitary, quiet life when I'm not working.
I'm a photographer, period. I love photography, the immediacy of it. I like the craft, the idea of saying 'I'm a photographer.'
I think that it's workshops, honestly, that have kept me keen about photography, and about my photography. My career as a workshop photographer came while I was at the Geographic in the late 70's, and has continued consistently since then.
... the possibility of one particular photographer's pictures lying around the corner is never realized until the photographer is there. It's one of the enigmas of photography.
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