A Quote by Patti Smith

I knew William Burroughs really well, and I was always star struck being around him. I adored him. — © Patti Smith
I knew William Burroughs really well, and I was always star struck being around him. I adored him.
I remember being in Dublin in a café and seeing him [Jack Gleeson] two or three years ago, and he came in - Joffrey[from the Game of Thrones] came in - and I remember being so star-struck. I don't like famous people and I don't really get star-struck. But I remember seeing him and being so impressed that he was walking around. So I really like Joffrey.
When I was young, I knew William Burroughs really well. And William's secret desire, which he never quite did, was to write a straightforward detective novel.
I tell this anecdote with tongue in cheek at the start of my book William Burroughs and the Secret of Fascination, but my academic involvement with Burroughs was entirely due to my tutor at Oxford, Peter Conrad. I was discussing with him the idea of staying on to do graduate work and when I tossed the name of Burroughs into the conversation - well, he let it fall loudly onto the floor, and proceeded to cross himself as if warding off an evil spirit. Since I was very ambivalent about an academic career in any case, that decided it for me.
Norman Mailer thinks William Burroughs is a genius, which I think is ludicrous beyond words. I don't think William Burroughs has an ounce of talent.
When my stepmother had my sister, Katharine Hepburn dropped by to say hello. She came with George Cukor, who wasn't a star, but he was a famous director. He was also my grandmother's best friend, so I knew him well as a kid. But when George showed up with Katharine Hepburn, I was utterly star struck.
I met Chad Smith of the Red Hot Chili Peppers. I'm not really star struck by actors, but musicians, that's when I get star struck. Chad Smith is my number one drum influence, so that was a real mind-blow. I spoke to him - proper English, thank God!
I met William Burroughs in 1971. I got his address through a magazine and went to London to spend time with him.
My brother is my inspiration. From being a star student in school, to the perfect boy next door - he was adored by everyone and I always looked up to him. We all shared a dream that he would become a pilot someday.
I was taken by William Burroughs’ presence and intelligence from the first time I was introduced to him, by Lester Bangs in 1975. He was thrilling to listen to. When you heard him speak, you felt that you were privy to such a rare mind. Even in small-talk, he spoke with perfect economy of language. His shoots with me were very collaborative and it was an incredible opportunity to be able to photograph him over the course of twenty years.
To love someone is to isolate him from the world, wipe out every trace of him, dispossess him of his shadow, drag him into a murderous future. It is to circle around the other like a dead star and absorb him into a black light.
I spent a weekend in the White House with President Clinton, back in '99, I guess. We played golf and just hung out and talked on many subjects. I saw him several times subsequently in L.A. He's the smartest man I ever met, a great politician. Everybody was star struck around him.
As a child, William Beebe was my hero, and I used to read about him going down in the bathysphere, and I wanted to do that too. And I told my family, I said, 'I'd like to go down and be like William Beebe,' and they said, 'Well, maybe you can take up typing and get to be the secretary of William Beebe or somebody like him.'
We had a great connection with Pedro Almodovar from the beginning. Even before I met him, it was so strange. I felt like I already knew him. I loved him even before I met him. It was so powerful. And when I looked at him in the eyes, this was the feeling that I knew I was going to have with him. It gets bigger and bigger every day. I adore him. It's much more than working together. He's a really special person in my life.
I always adored Cary Grant. I was fascinated by him. But I could never get too close to him.
The hardest part of writing 'William Shakespeare's Star Wars' was probably the sheer amount of iambic pentameter and tiptoeing around certain scenes I knew would be hot-button issues for 'Star Wars' fans.
I grew up with my grandfather, so I knew him really, really well. He was funny and opinionated and wonderful. He was fascinated by things and always curious.
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