A Quote by Patti Smith

I didn't know Kurt Cobain or Amy Winehouse, but I was affected by both of their deaths because I admired their work so much and mourned their youth and work they would never produce.
Kurt Cobain OD'd on heroin before committing suicide, but he also OD'd on fame. Cobain was like Basquiat: They both wanted to be famous, and were brilliant enough to make it happen. But then what? Drug addicts kill themselves trying to get that feeling they got from their first high, looking for an experience they'll never get again. In his suicide note, Cobain asked himself, "Why don't you just enjoy it?" and then answered, "I don't know!" It's amazing how much of a mindfuck success can be.
I was a massive fan of Amy Winehouse growing up. I decided it would be a good idea to become Amy Winehouse with the beehive and ballet shoes. Six months into that, I looked into the mirror and decided I'd better be Mia.
If I was 13 years old and Kurt Cobain tweeted me some advice or even just said hi, my whole world would be affected by that.
Amy Winehouse: Did she invent white soul? Wearing a beehive? No. But she did something brand new and fresh, altogether as a package, and you see who's in her wake, from the Duffys to the Lana Del Reys. Adele selling 20 million records? That would not have happened if Amy Winehouse was alive.
I've never had access to another person's art and work or, particularly, someone who is as prolific and was able to externalize his interior world as deeply as Kurt [Cobain] could.
I don't think of Kurt as 'Kurt Cobain from Nirvana'. I think of him as 'Kurt'. It's something that comes back all the time. Almost every day.
Amy Winehouse affected my life tremendously. I think maybe she was the first sense of intimacy that I had with a complete stranger, musically speaking.
As far as people I'd like to work with, the list is endless. I think to work with Steve McQueen would be amazing, and then some of the U.K. talent we have: Eddie Marsan, Olivia Colman, both of whom I have met and admired for a long time. We're very blessed in this country; there is so much talent for people to work with and learn from.
Tip to all British tabloids: Do Not Hack Amy Winehouse's Phone. I repeat: Do Not Hack Amy Winehouse's Phone.
The actors I would like to work with are Julia Roberts, just because I've admired her work for a long time, well Brad Pitt. I think you know my reasons.
I wish Kurt Cobain didn't die. I really don't know where he'd be right now, I don't know what he'd be like. I just like to fantasize that he would like our band and he would know what we were up to.
Basically, there's a good friend of mine who works at EMI Publishing, a publishing company. He had asked me - he was like, you know, do you know this girl, Amy Winehouse? She's in New York for a day. She's kind of meeting people to maybe work with on her second album.
I used to love Kurt Cobain, when he was telling people we're a pop band. People would laugh, they thought of it as good old ironic Kurt. But he wasn't being ironic.
I think too much is known about me already. I think biographical information can get in the way of the reading experience. The interchange between the reader and the work. For example, I know far too much about Norman Mailer and Kurt Vonnegut. Because I know as much as I do about their personal lives, I can't read their work without this interjecting itself. So if I had it to do over, I'd probably go the way of J.D. Salinger or Thomas Pynchon. And just stay out of it altogether and let all the focus be on the work itself and not on me.
I never met Kurt Cobain, but I felt like I got to know him in a manner probably more intimate than anyone I've known outside of my family.
I'm a different person. I don't want to be titled as Courtney Love and Kurt Cobain's daughter. I want to be thought of as Frances Cobain.
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