A Quote by Patti Smith

I had a handful of records, but when I was 11 years old, I liked Puccini as much as Little Richard. They both made sense to me. — © Patti Smith
I had a handful of records, but when I was 11 years old, I liked Puccini as much as Little Richard. They both made sense to me.
I had my own booth at Fan Fair when I was 9 or 10 years old. I made a little record and I had a manager in Missouri, so we came up to Fan Fair to sell those records and try to get me a record deal. Clearly it wasn't meant to be at 10 years old, but my memory is that I went to use the bathroom, and I met Sylvia. I was in shock.
When I was a bit older I had all of the George Carlin records, all of the Steve Martin records, all of the Cheech and Chong records and all of the Richard Pryor records.
I am an old geezer: a grandpa kind of a guy. I was born October 19, 1931. I have gray hair, a beard, and a little pot belly. I have two children who are over 30 years old and a sweet little granddaughter who is 11 years old.
I took my daughter to the father-daughter dance and I cried like a little baby. She's 11 years old, so seeing her get dressed up and pretty made me cry.
I was an only child until I was 11 years old, which is when my sister was born. So for 11 years, it was just me.
I used to tell myself when I was much younger that I didn't want to wake up one day and be 32 years old and still playing records. It's just not going to happen. Well, the joke is on me, because I'm 56 years old now.
I grew up not far from where Motown was founded, maybe 300 miles from Detroit and I've always liked - I used to like the way they made records. I still do, I just haven't had a chance to hear as much. They used to entertain me.
When I went to Egypt right after 9/11 I was very upset. I used to live in Egypt. I had a lot of friends there. I spent two years teaching there. I had very fond feelings for that part of the world, and the fact that a culture I liked so much had attacked my own culture was really very upsetting to me.
I was 16 years old, and I was just flailing around, looking for an interest. I heard, you know, these jazz records. They were modern records, at the time in the '50s, and I realized that I didn't fully get what was going on. But I liked a lot of what I heard.
I read Claire Messud's 'The Emperor's Children,' I read Joseph O'Neill's 'Netherland' - but to me, they're not 9/11 novels. In 'The Emperor's Children,' 9/11 felt to me like a piece of the plot; the novel wasn't wrestling with what 9/11 meant. And 'Netherland' felt the same way. I liked both books a lot but I don't see them as 9/11 novels.
I came here from Romania when I was 12 years old. I had an accent. High school was tough a little bit for a few years. I wanted to fit in. I wanted to be liked. I wanted to be good-looking. I wanted to be popular. I spent a lot of time thinking, 'What are these people going to think of me?'
I was writing - at least beginning to write Boston Boy and there were a lot of holes in my so-called research. I didn't know the towns my mother and father came from in Russia. I didn't know the name of the clothing store I went to work for when I was 11 years old. I didn't know a lot of things. So I called for my FBI files, not expecting to have that stuff there, but I wanted to know what they had on me.But they did have the towns my mother and father lived in in Russia. They had the grocery store I worked in when I was 11 years old.
In most states you can get a driver's license when you're sixteen years old, which made a lot of sense to me when I was sixteen years old but now seems insane.
I worked with John, but I had enough sense to walk just a little ways behind him. I could have made more records, but I wanted to have a marriage.
I'll say - I have four kids! I married a woman when I was 24 years old. She was 13 years my senior. She had been married twice before. I adopted them. I was 24 and had a 17-year-old son instantly, an 11-year-old daughter, a 5-year-old, and a child on the way. So I had to learn how to become a parent very quickly.
Blackheart Records being 25 years old represents staying power and the fact that we weren't able to get a record out through conventional means, so we had to create this record company to put out our records if we wanted to be a band that had records to give out to their fans.
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