A Quote by Patti Smith

I always wanted to be an artist, writer and poet since I was seven, and one has to live long enough to evolve as an artist and do one's finest work. — © Patti Smith
I always wanted to be an artist, writer and poet since I was seven, and one has to live long enough to evolve as an artist and do one's finest work.
You are not an artist simply because you paint or sculpt or make pots that cannot be used. An artist is a poet in his or her own medium. And when an artist produces a good piece, that work has mystery, an unsaid quality; it is alive.
Every man or woman is a potential poet or artist. Everyone has the capacity to bring to their work the dignity, purposefulness, and presence of the artist.
Since I was the solo artist as well as the writer for the songs, I figured I had enough credits on it already.
As an artist, I never wanted to be fettered by gender nor recognized or defined as a female poet, musician or singer. They don't do that with men - nobody says Picasso, the male artist. Curators call me up and say, "We want your work to be in a show about women artists," and I'm like, why? For Christ's sake, do we have to attach a gender onto everything?
I've wanted to be a writer since I was seven, but I didn't grow up in family where people aspired to live as writers.
If you're an artist or someone creative, it's all about cheap rent and not having to work for a living. That's what it's always been about. Unless you're a trust-funder or you somehow score a great part-time job or you work for another artist, you're going to go where you can afford to live.
A life lived in chaos is an impossibility for the artist. No matter how unstructured may seem the painter's garret in Paris or the poet's pad in Greenwich Village, the artist must have some kind of order or he will proudce a very small body of work. To create a work of art, great or small, is work, hard work, and work requires discipline and order.
Being able to hear an artist and emulate them has been a huge part of being successful as a producer and co-writer. I think it's a problem when a producer comes in to work with an artist, and you can't hear the artist as well anymore. It's very important to me to be invisible.
Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?
I have known I wanted to be a writer since I was seven-years-old. Seriously. In the second grade I wrote a 21-page story and handed it in to my teacher. She told my mother I was going to be a writer. Since then, I always kept a journal and wrote poetry, plays, stories.
I knew I would always be an artist, but when you move to Nashville, this is a writer's town. I moved here to focus on that and started pitching demos and immediately was asked to be an artist.
I started out as an artist, but I've always wanted to be a writer and producer.
There is the intent of the writer and the interpretation by the artist. What the writer intended and what the artist interprets is not a 1-to-1 translation. It's a crossing of ideas that generates the stories that you see in print.
I came out to L.A. to be a songwriter and not an artist, and I'm so excited because I always secretly wanted to be an artist.
An artist never works under ideal conditions. If they existed, his work wouldn't exist, for the artist doesn't live in a vacuum. Some sort of pressure must exist. The artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn't look for harmony but would simply live in it.
I pay tribute to the writing always. The writer is a creative artist and the director is an interpretive artist and the actors are interpretive. You take zero and make it into something, that's always amazing to me.
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