A Quote by Patti Smith
I had a penchant myself for doing several things at once. I wanted to draw, write, speak.
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I had no problem with Ritchie. Ritchie and I never argued. We never had a problem. I think I was always able to write the things that he wanted - until he decided he wanted to be a pop star. And then he started doing pop music. And once he did that, that was the end for me.
They don't understand what it is to be awake, / To be living on several planes at once / Though one cannot speak with several voices at once.
I wanted to be a musician. I just wanted to be famous because I wanted to escape from what I felt was my limitation in life... And I wanted to write music, and I didn’t know what I was doing and I never had the technique or understanding of it... But I’ve always played the piano and I can improvise on the piano, but the problem is that I can’t write down what I write. I can read music but I can’t write numbers.
I didn't watch any films. This film, The Proposal, had it all in the script. Once all the pieces, once I met Anne Fletcher and I knew what she wanted and that we wanted the same things, and once they said Ryan Reynolds was on board and once the casting came together, you saw what it wanted to be.
I had to appreciate other things about music, like the writing and the cadence and dealing with producers. I became a student. I wanted to learn the actual idea of what this industry was before I could creatively speak a lot of the things that I wanted to speak.
As a writer, one of the things we all learned from the movies was a kind of compression that didn't exist before people were used to watching films. For instance, if you wanted to write a flashback in a novel, you once had to really contextualize it a lot, to set it up. Now, readers know exactly what you're doing. Close-ups, too.
I had several publishers, and they were all the same. They all wanted salacious. And everybody is writing autobiographies, and that's one reason why I'm not going to do it. If young Posh Spice can write her autobiography, then I don't want to write one!
I had spent years thinking about one thing while I was doing another. I had, in fact, prided myself on being able to do two things at once.
I had no choice in the decision to make myself available. I was not always doing things I wanted to do.
I realised that I had always been writing things that other people wanted me to write and not what I really wanted to write, so I felt like I was losing my way.
Once 'Walk Two Moons' received the Newbery Medal, I decided to write full-time. Partly because there seemed to be an audience out there who wanted to read what I wanted to write, and partly because I could now support myself financially through writing.
I remember that after that teaching given to me as a young man, as a boy, almost, by the President of the Church. I read this chapter about once a week for quite a while, then once a month for several months. I thought I needed it in my business, so to speak; that it was one of the things that were necessary for my advancement.
I don't draw every day. I tend to draw intensely during certain periods of time. I draw to amuse myself on occasion, when I am bored and drawing is the only fun to be had.
As a child, I amused myself by making up stories. I'd lie in bed when I was supposed to be sleeping and imagine other lands where people were doing fascinating things. By fifth grade, I knew I wanted to be a writer, but it took several more decades to really find my way as an author.
You had censorship. If you brought a manuscript to the publisher, you knew he would suggest changes. If you wanted to write and speak what you thought had to be written and spoken, you had to act against all these suppressive rules.
I've wanted to write ever since I've gotten into comics. I wrote little things for myself when I was doing mini-comics and things, before becoming a professional. But I just figure at some point or another, I've got to make the leap. I just have to do it.
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