A Quote by Pattiann Rogers

I'm all in favor of poets telling about the process as much as they can. And many do. — © Pattiann Rogers
I'm all in favor of poets telling about the process as much as they can. And many do.
In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.
Plato said that poets should be excluded from the ideal republic because they are such liars. I am a poet, and I affirm that this is true. About no subject are poets tempted to lie so much as about their own lives; I know one of them who has floated at least five versions of his autobiography, none of them true. I of course - being also a novelist - am a much more truthful person than that. But since poets lie, how can you believe me?
Like many modern poets, I tend to conceal rhymes by placing them in the middle of lines, and to avoid immediate alliteration and assonance in favor of echoes placed later in the poems.
I kept telling myself this word, process. Focus on my process, don't care about the result.
There have been many most excellent poets that have never versified, and now swarm many versifiers that need never answer to the name of poets.
I really focus on process as much as anything else: process for how we evaluate players, process for how we make decisions, process even for how we hire people internally, process for how we go about integrating our scouting reports with guys watching tape in the office.
Our hospital was famous and housed many great poets and singers. Did the hospital specialize in poets and singers or was it that poets and singers specialized in madness?
There are many ways of asking a favor; but to assume that you are granting the favor that you ask shows spirit and invention.
A favor tardily bestowed is no favor; for a favor quickly granted is a more agreeable favor.
That is a horrible thing in a way, but it is the one thing poets can bring back to experience, this intense focus on language, which activates words as a portal back into experience. It's a mysterious process that's very hard to articulate, because it's focused entirely on the material of language in a way, but in the interests not just of language itself whatever that would mean - that's the mistake, by the way, that so many so-called "experimental" poets make - but in service to human experience.
Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different.
For too long, the system has been biased in favor of oil and gas developers: sweetheart lease deals, generous subsidies and a regulatory process so slanted in favor of Big Oil that often permit reviews are simply waived.
When I say God it is poetry and not theology. Nothing that any theologian has written about God has helped me much, but everything the poets have written about flowers and birds and skies and seas and saviors of the race, and God - whoever He may be - has at one time or another reached my soul!...The theologians gather dust upon the shelves of my library but the poets are stained with my fingers and blotted by my tears.
That is many poets don't know how to tell a story and they don't have a sense of how to put things in order to tell a story and we thought the poets could learn from fiction writers something about developing a character over time who wasn't just you and also creating a narrative structure.
My biggest poetic influences are probably 20th-century British and Irish poets. So I suppose I'm always listening for the music I associate with that poetry, the telling images, the brevity. I want to hear it in my own work as well as in the poetry I read. However, I think I'm generally more forgiving of other poets than myself.
I don't write very much about penises. More than some poets but not perhaps as much as I should.
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