A Quote by Patton Oswalt

Even if it's other people, like on MySpace pages, we're just as collective of enthusiasts now. That seems to be the world we're in. — © Patton Oswalt
Even if it's other people, like on MySpace pages, we're just as collective of enthusiasts now. That seems to be the world we're in.
Nowadays - and I don't want to make some dopey cultural statement here - everyone can be, just by existing in society, because we all have a ship that we follow. Even if it's other people, like on MySpace pages, we're just as collective of enthusiasts now. That seems to be the world we're in.
Now I am not against widgets, those small third-party applications that people can put on their Web pages on social networks like Facebook and MySpace, in general.
Most, especially the young filmmakers, do not see strength in communal or collective existence. They just think they're going to conquer the world as individuals. There is no world like that. In cinema it's always, even in Hollywood, a collective surge.
I have always had stuff on the internet, way back in the Myspace days, I had a lot of friends on Myspace. And it is just all about like networking - contacting people and showing people, like, your mind.
I have always had stuff on the Internet. Way back in the Myspace days, I had a lot of friends on Myspace. And it is just all about, like, networking - contacting people and showing people, like, your mind.
What's culturally significant about MySpace is that it has become so pervasive that people of all ages are now using it. Even people who didn't grow up with it are getting used to it. People just get sucked in.
During MySpace's run-up, journalists continually got their facts wrong about MySpace. They wrote story after story about how Facebook was bigger than MySpace when in truth Facebook wasn't even 1/10th the size of MySpace.
I feel like, for me, reading Thomas Merton is like “Wait a minute, this is a rabbit hole. This isn’t a gateway or a ticket to anything except itself”. When you're a ways into it, you're five pages in, 20 pages in, 30 pages in, it seems like one of the more oxymoronic undertakings you could attempt.
I've been on, like, the forefront of social media. I run all my own pages, and this is back to MySpace and answering my own emails in, like, 2006. Even before that, I always had websites with emails that dropped directly to me.
What was a slap for ten pages of escapism, ten pages far from everything that made him unhappy, ten pages of real life instead of the monotony that other people called the real world?
I might spend 100 pages trying to get to know the world I'm writing about: its contours, who are my main characters, what are their relationships to each other, and just trying to get a sense of what and who this book is about. Usually around that point of 100 pages, I start to feel like I'm lost, I have too much material, it's time to start making some choices. It's typically at that point that I sit down and try to make a formal outline and winnow out what's not working and what I'm most interested in, where the story seems to be going.
Contrary to the utopian rhetoric of social media enthusiasts, the Internet often makes the jump from deliberation to participation even more difficult, thwarting collective action under the heavy pressure of never-ending internal debate.
In the beginning I remember when I would spend three hours a day on MySpace just trying to comment everyone back, and now, I spend a half hour a night on MySpace just putting up new stuff and answering people back and monitoring all the fan sites, and saying hi and thank you. I'm still way on top of it. I haven't grown out of it because it'll always be something that helped launch my career, and I'm going to keep maintaining it.
It feels that while the young people are trying to fight for a world where there's equality, everyone's the same, everyone's helping each other, we want to take care of the planet... it seems like the people that are ruling and are being presidents right now want to do it the other way round.
They are enthusiasts, devotees. Addicts. Something about the circus stirs their souls, and they ache for it when it is absent. They seek each other out, these people of such specific like mind. They tell of how they found the circus, how those first few steps were like magic. Like stepping into a fairy tale under a curtain of stars… When they depart, they shake hands and embrace like old friends, even if they have only just met, and as they go their separate ways they feel less alone than they had before.
We live in a violent world, but since the success of films like Pulp Fiction, it seems every movie has some violence in it, and it's now being used as a form of comedy: audiences are now being encouraged to laugh when people get their heads blown off. I just don't like hearing people laugh at violence.
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