A Quote by Patton Oswalt

I'm always trying out new stuff onstage. That's where I do all my writing. — © Patton Oswalt
I'm always trying out new stuff onstage. That's where I do all my writing.
I have a hard time memorizing stuff. I'm always in the process of writing a new song, so trying to learn a new one takes a minute.
Also I can come up with new bits - people yell stuff out and it's a new subject or a subject that I've been thinking about that I haven't done onstage yet and I'll just run with it.
Even when I'm not onstage singing, there's always music going on in my head. It's a curse and a blessing in a way - it's sitting in bed at night, trying to go to sleep, while the music keeps playing in your head - especially when you're trying to learn something new and you're trying to memorize it and get everything.
It took me a good eight to ten years to really formulate what I was doing onstage and start to get really personal with comedy. I always really had timing naturally, it was just about trying to figure out how that timing was going to work onstage.
As a kid, I would do all of the plays at my school, and I was notorious for being in five numbers in one show. I'd go onstage, run backstage for a wardrobe change, and then go back out onstage. I'm always trying to do more than I should but when I got my lucky break (or whatever it's called), I was prepared because I studied and worked really hard for it.
I get angry about stuff, I get very emotionally intense about stuff and that's how I get it out - with books, with the band, on my own onstage, but it's always kind of a wail.
You're always trying to find new stuff and new inspiration. If you don't really push and you don't try something that feels exciting, then it's not worth doing.
It's funny, I write lyrics in a bizarre way - I'm always writing lyrics, mostly when we're traveling or walking around New York, that's when I'm writing most of the stuff.
Under fun's new administration, writing fiction becomes a way to go deep inside yourself and illuminate precisely the stuff you don't want to see or let anyone else see, and this stuff usually turns out (paradoxically) to be precisely the stuff all writers and readers share and respond to, feel.
You can do stuff onstage that you can't do offstage. You can be angry as hell and enraged and get away with it onstage, but not off.
I was always the observer, trying to understand what was going on. I was always the new kid. Writing became my safe place.
In essay writing, I'm trying to push the form of expository writing. I'm trying to remember, trying to reckon, trying to find connections with the world, the nation and me, but I'm always trying to push the form, too, without being too obvious that I'm trying to push the form.
Going out and trying new stuff on an audience is a scary thing.
Sometimes, a new toy, a new technology, will focus you. The world is always trying to draw you out, so you always have to remember to go in.
You don't start out writing good stuff. You start out writing crap and thinking it's good stuff, and then gradually you get better at it. That's why I say one of the most valuable traits is persistence.
I've always been ahead of the curve when it came to trying new stuff in the underground scene.
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