A Quote by Patton Oswalt

I mean, all alternative comedy is are comedians that have being doing it for so long, for so long, that they were relaxed enough to start becoming personal on stage. — © Patton Oswalt
I mean, all alternative comedy is are comedians that have being doing it for so long, for so long, that they were relaxed enough to start becoming personal on stage.
When I was studying comedy in Chicago, it wasn't long after 9/11. There were a lot Middle Eastern comedians who were doing bits about hailing cabs and being terrorists. So the first two years, I didn't do any of that because I wanted to separate myself from those guys. But race is a big part of who I am, and it should be a big part of my comedy.
It's funny how comedy is, you look at people like French and Saunders, when they started out they were very alternative. A lot of those alternative comedians have ended up being mainstream, they know that longevity is about being mainstream.
Toby not being there doesn't bother me, I mean I can work with anybody as long as we get along and as long as they've got an understanding of what I want and what I'm aiming for. To start with, when he left, it was difficult.
In my career, I've had kind of a strange trajectory as an actor. I started out doing movies and theater and stuff, but then I had a terrible problem with stage fright as an actor on stage, and I quit stage acting for a long, long time.
People always have something to say about how long is too long or not long enough to breastfeed. I think this is such a personal decision that it can only be made between each baby and his or her mommy.
Life's not about expecting, hoping and wishing. It's about doing, being and becoming. It's about t Learn from the mistakes of others. You can't live long enough to make them all yourself.
I was lucky to develop in the U.K. because I find comedy - in addition to being caustic - it's quite literary over here, and alternative comedy isn't so alternative.
As far as best comedy show, Richard Prior live. The Long Beach show. That's the apex, that's the pinnacle. That's what everybody's trying to reach for. When he walked on that stage he had the red shirt on in Long Beach and when he walked on that stage to the time he left, he was on fire.
Comedy clubs were something that came to pass in the '80s, but toward the end of that, in the early '90s, people started doing comedy again in alternative spaces.
I think when I was young, let's call it high school, and even before that, I just loved comedy, and I loved comedians. I grew up watching Laurel and Hardy. That's really a long time ago. I loved Jerry Lewis. I just loved comedians.
Every time I've done comedy in, like, traditional comedy clubs, there's always these comedians that do really well with audiences but that the other comedians hate because they're just, you know, doing kind of cheap stuff like dancing around or doing, like, very kind of base sex humor a lot, and stuff like that.
Part of the problem of comedians doing specials every year - when the masters do it, it's like, 'Okay, I guess, go for it' - but when people aren't at the top of the top level, bits don't get to cook long enough.
Striving is exhausting. Sometimes I do say things like, 'I wish I were not quite this driven to be excellent.' It's not a comfortable life. It's not relaxed. I'm not relaxed as a person. I mean, I'm not unhappy. But... it's the opposite of being comfortable.
You have comedians who just do jokes, and they're called comics, not comedians. You have comedians that do bits - a person that has a lot of jokes that have a beginning, a middle and an end, but it's not a real story. And you have someone that does great stories, the one that blends those things together - that person is doing comedy.
I would play games long enough to discover what games were doing and how they were doing it. And then I'd spend the rest of my time building.
After the comedy boom of the '80s, there was a certain formula that comedians had to do and could do in order to be successful touring comedians, and those were mainly observational comedians who had a very strict structure of what made an act, and I think it was very performance oriented.
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