A Quote by Patty Andrews
We were such a part of everybody's life in the Second World War. We represented something overseas and at home - a sort of security.
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There were no "unemployed" in the impoverished Polish countryside before the Second World War. Not a single unemployed. Every child that was born in the peasant family had his room at the table and his job in the field, stable or pigsty... If there was not enough food, everybody got less. If food was plentiful, everybody ate better. In such a setting, we may say, the problem of security couldn't even arise... One was born with life-long rights; the only thing that one could not do was to change them. A setting good on the side of security, though bad on the side of freedom.
Between the postwar fifties - domesticity, people happy to be alive after the Second World War, wanting to build a home, make a family, make a nest. Women were pushed back into the home after having been active in the Second World War. It was a big Doris Day moment for women, which didn't suit all women.
I remember hearing the song when I was 12 or 14 in - it must have been in Chicago, 'cause we didn't have a radio on the farm, and it was during the second World War. I had three brothers in that war who went overseas.
When I worked with General Electric, again this was soon after the Second World War, you know, I was keeping up with new developments and they showed me a milling machine and this thing worked by punch cards - that's where computers were at that time, and everybody was sort of sheepish about how well this thing worked because in those days machinists were treated as though they were great musicians because they were virtuosos on these machines.
Everybody has that: everybody knows what it's like to go home and then regress and not be running from something, not like who you were when you were home. I think everybody relates to that.
Take the Iraq War,it's the second worst crime after the Second World War. It's the first time in history, in the history of imperialism, there were huge demonstrations, before the war was officially launched.
My father fought behind Japanese lines in the second world war and it traumatised him. Everybody who knew him from before said he was the life and soul of the party - fun to be with - but after the war he was different.
... there was the first Balkan war and the second Balkan war and then there was the first world war. It is extraordinary how having done a thing once you have to do it again, there is the pleasure of coincidence and there is the pleasure of repetition, and so there is the second world war, and in between there was the Abyssinian war and the Spanish civil war.
The First World War created the Second World War because that was a war between three grandsons of Queen Victoria: The King of England, the Kaiser and the Tsar married Queen Victoria's granddaughter. And that triggered Communism in Russia and Fascism in Germany and led to the Second World War.
The arts are part of a nation's identity, they are part of a nation's soul and when we look at a country from the eyes of people overseas they are part of a nations branding in the world as it were.
I sort of think in a way that many of us young reporters who had the opportunity to go overseas for our organizations were kind of, in a sense, war profiteers. We were enhancing our careers while covering that terrible conflict.
In the period after the Second World War, there were still leaders in Europe who represented weak countries, but possessed a sense of global foreign policy. Nowadays, on the other hand, there are politicians who represent pretty powerful countries, but whose citizens are not prepared to sacrifice themselves for the state.
The reason why many young people in the Vietnam War era were active was their lives were threatened by the draft and they were going to perhaps be forced to go overseas and fight in an immoral war.
What I hope to do in the States is to break up this stereotyping of Muslims and Arabs. I mean, we are basically the only sub-culture that is not represented in Hollywood. And it's funny because everybody is talking about the Muslim world and the Arab world, and we are not represented.
How can you have a world of today where India is not represented in the Security Council; Japan, the second contributor, is not there; the whole continent of Africa, soon to be 54 countries, don't have a single permanent seat; and Latin America is absent? It's not realistic.
There was a time, right up until the end of the Second World War and beyond, when white people in Europe thought that they basically owned the world and that everybody else was a sort of servant, or a curiosity, or whatever. And that informed 99 percent of the photographic practice that was done. Without being able to address that, I felt I would have failed in my attempt to explain what the urge to document is.
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