A Quote by Patty Griffin

One thing I liked about 'Silver Bell' is that I barely knew how to play in the tuning I was writing in, and I just went for it anyway. — © Patty Griffin
One thing I liked about 'Silver Bell' is that I barely knew how to play in the tuning I was writing in, and I just went for it anyway.
How did I get here How did I end up in the arms of a boy I barely knew but knew I didn't want to lose I wondered what I would have thought of Andrius in Lithuania. Would I have liked him Would he have liked me
I didn't know anything about music when I started a band. I barely knew how to play a guitar. I didn't know how to produce records. I learned how to play bass guitar and keyboards in Rilo Kiley. I picked up a lot from my collaborators.
Vienna, to me it was the tuning fork for the entire world. Saying the word Vienna was like striking a tuning fork and then listening to find what tone it called forth in the person I was talking to. It was how I tested people. If there was no response, this was not the kind of person I liked. Vienna wasn't just a city, it was a tone that either one carries forever in one's soul or one does not. It was the most beautiful thing in my life. I was poor, but I was not alone, because I had a friend.
I knew how the suits used to talk about the artists, with barely concealed contempt. So I knew what was waiting for me round the corner. Because I wasn't one of those very unusual people like Neil Diamond or Elton John, whose careers just seem to span the decades. I knew I wasn't one of them.
When you're writing - when I'm writing anyway - I'm writing out of different kinds of preoccupations and obsessions, different forms of drivenness, and so you're really hostage those while writing. I am, anyway. And it's only when you finally take the finished thing out of the furnace that you see what it was that went into the making of the thing.
I've grown up with a piano in the house, and that's where I started to be able to learn things by ear. Guitar kind of happened, and I was using it just for writing at first. Then, I was writing so much that I began to realise that I knew how to play, and that's when I started getting nerdy about it.
If a bell failed to ring, if a stove smoked, if a wheel on a machine stuck, you knew at once where to look and did so with alacrity; you found the defect and knew how to cure it. But the thing within you, the secret mainspring that alone gave meaning to life, the thing within us that alone is living, alone is capable of feeling pleasure and pain, of craving happiness and experiencing it- that was unknown. You knew nothing about that, nothing at all, and if the mainspring failed there was no cure. Wasn't it insane?
Ali Bell doesn't play hide-and-seek," Lucas said. "She plays hide-and-pray-I-don't-find-you." Mackenzie smiled. "When Ali Bell gives you the finger, she's telling you how many seconds you have to live." Cole chuckled, saying, "Fear of spiders is arachnophobia, and fear of tight spaces is claustrophobia, but fear of Ali Bell is just called logic." "Oh, oh." Kat clapped excitedly. "There used to be a street named after Ali Bell, but it was changed because nobody crosses Ali Bell and lives. True story.
I always liked to write and had fun writing, but I didn't have any pretensions about being a writer. I liked to read and liked to putz around and write little stories or poems, but my thing was sports.
All the world knew that a maester forged his silver link when he learned the art of healing—but the world preferred to forget that men who knew how to heal also knew how to kill.
That's one thing brands are understanding is, I'm the blogger who's not writing about fashion. I'm not writing about beauty. I'm not writing about gossip. I'm not writing about politics. I'm writing about all of that. I'm the person they can come to if they just want to reach people who care and have their fingers on pop culture.
My first interest in graffitti came when I was in grammar school, around '87 or '88 I was about twelve years old. I did not know much about writing, I just knew that I liked to write my name everywhere I could in my neighborhood.
Shane looked faintly injured. “I make it my business to know everything about silver. And I saw your notes. I study up on everything when it comes to your boss, anyway.” There was a flicker of jealousy about that, but she didn’t have time, or energy, to consider it very much. Not even whether or not she liked it.
I was the type of person who was the question-asker. And not just genuine questions, I would ask a question so the author would know how much I knew about them. Once I went to a Tobias Wolff reading. I knew he was teaching at Syracuse at that time. And so, I remember asking him how he liked Syracuse. People do that to me now and it's okay. There is rarely a time when I just have had enough.
I've always liked older women. One sad thing about being my age is that there are no older women. I used to amuse my mother's friends even at five or six with witty turns of phrase. Somehow, I just knew how to be funny.
And I was -- this is just how I was afraid you'd take it. I knew it, that you'd think this means you were right to be afraid all the time and never feel secure or trust me. I knew it'd be "See, you're leaving after all when you promised you wouldn't." I knew it but I'm trying to explain anyway, okay? And I know you probably won't understand this either, but --wait-- just try to listen and maybe absorb this, okay? Ready? Me leaving is not the confirmation of all your fears about me. It is not. It's because of them.
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