A Quote by Patty Griffin
I come from probably many generations of singers because my grandmother had a really incredible voice and sang in church. And my mother had a gorgeous voice and was always singing around the house.
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I know it was a gift from God. My father was a preacher and my mother worked in churches all her life. My father had a very deep bass sounding voice and my mother had an in-between soprano voice. Not great singers, but they had great tones to their voices. I think that had a lot to do with it. Also, I really believe my voice was a gift from God. I believe if you take care of it, He will help you take care of it.
I sang in the coffee houses . . . in the early 60's with no idea of success in terms of records or television. I just thought I was a storyteller. I had this deep, bassy voice. But I had incredible passion for the music I was singing.
The whole thing of singing on my own has been accidental and random. I sang a huge amount as a kid, and I was a boy soprano. I didn't do that much classical music; I did a little bit. I had a lovely voice. And then when my voice dropped, I didn't worry about it consciously because I wasn't that invested in my singing at the time.
My mother had a gorgeous singing voice, and she'd play these amazing vinyls. My favorite was 'But Not for Me,' on the 1954 album 'Chet Baker Sings.'
My father has a beautiful, beautiful voice. His father was a pastor of a church. He sang in church. My mother sang in a church choir. I can take no credit for my vocal talent, because, both my father, and mother have beautiful, beautiful voices.
My mother was the first singer I had contact with. She sang constantly to us around the house, in church.
My dad always had music playing around us and he was always a happy chirpy man with a beautiful voice. I was always singing around the house and I assumed that's what all families did. It wasn't until I went through that nasty teenage stage that I started to realise that wasn't the case.
I really pulled from that repertoire that Billie Holiday was singing, and the way she sang it. It's sort of this beautiful, not really midpoint, but a period of her career where she really still had her voice. She had that deep wisdom that we've come to associate her with. To me, that's her at the height of her powers.
When we developed the 'Seinfeld' show, we took a bet on Jerry Seinfeld, who was not a household name. But Jerry had a voice. He was appearing on 'Late Night', on 'The Tonight Show', had some commercials out there, his voice of observational comedy, looking at the world around him, that voice was really starting to come into its own.
The old jazz singers or old blues singers, you always just saw them kind of sitting down and singing. They weren't worried as much about their voice sounding perfect. They would make the song kind of fit their voice.
I was a child of the women's movement. Everything I had learned was from my mother and my grandmother, who both had a very pioneering spirit. They had to, because they had to change flat tires and paint the house - because, you know, the men didn't come home from the war or whatever else, so women had to do these things.
I love Aretha [Franklin] and I've loved her all my life. I think she's an incredible songstress, obviously. She consistently has had this incredible voice. I remember when she was singing gospel in her father's church.
I have a very clear understanding of what my voice is. It's like a B voice. It hovers around B-minus, B-plus. I have great friends who are wonderful singers, and I know I'll never be able to do that. But singing through a character is something I can do.
I always sang when I was little and my father, who was a great influence on me, also had a wonderful voice. He and my mother really encouraged me to sing and play the piano. They were always very supportive.
I had always sung, as far back as I can remember, for the pure love of it. My voice was contralto, and I sang in a church in Naples from fourteen till I was eighteen.
When I think about Oz, when he was a teenager, I'm just reminded of what an excellent blues voice he had. He had a large voice. When we did the Aynsley Dunbar song 'Warning' and 'Black Sabbath,' his voice is so right. It's really round, and it has that pain from within in his voice.
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