A Quote by Patty Mills

I appear African-American, so it's not until I start talking that people go, 'Hold on, there's something not right here.' But it's an awesome conversation starter. I open my mouth, they get curious, and I say, 'Got a few minutes? Have a seat.'
I know I'm good enough to be a starter and I'm a much more productive player when I get starter minutes. But I don't have to start. That's not me.
The Academy just reflects Hollywood. And until we break those barriers, until we have African-American or minority studio executives, 'til we have people who are greenlighting movies with African-American actors - the Academy is not going to change until Hollywood changes, so we have to start with Hollywood.
[Jules] slides into a seat beside me with her hot lunch tray, sighing. “Four hours, thirty-six minutes, and twelve seconds till we’re out of purgatory for the weekend.” “Maybe later,” I murmur, still distracted by the day’s previous events. “So, let me show you how a conversation works. I say something, and then you say something back that actually relates to what I was talking about, as if you were even the least bit interested.” “Huh?” I say.
Some people are monogamous from the get-go while other date as many people as possible until you have "that conversation." Have the conversation at the start so that everyone is clear.
I kind of play like a guy. I don't hold grudges. I don't get dramatic with things. If somebody slide tackles me in training and we leave the field, I'm still talking to them. I think that there's very few of us out there that can just take confrontation, and if you've got an issue with something, you can go to that person and say it.
Curious, isn't it that "talking with the right people" means something so different from "talking with the right person"?
I don't see how any African-American, with any inkling of history, can say that you don't have the right to live your life how you want to live your life. No one should be telling you who you should love, no one should be telling you who you should be spending the rest of your life with. When we start talking about equality, and everybody being treated equally, I don't want to know an African-American who will say everybody doesn't deserve equality.
To me, there's no honor to say, 'I'm going to start.' As long as you're getting minutes, you're closing games, that shows more of the value to the team than to say you're a starter.
I don't talk for the sake of talking. I do become intoxicated with sound. When I open my mouth, it's to say something.
With improv or a full length play - you know how you go to a theater, and after 10 minutes you say, 'Oh, I don't like this thing,' but you don't want to get up and leave? At a sketch show, it's always something new every few minutes.
It is about the American people. When something is not ready, it is not working, it is not right, then we owe it to them to do the right thing and say, 'Let's hold.'
When I open my mouth and talk, sometimes people say they are amazed of my intellect. I don't know if that's because I truly speak in a way that people can understand or feel a certain way, or because they don't expect it. I don't know. That's something I am curious about.
Lucas: I wanted to talk to you after class, but you disappeared. Me: I have another class right after. One of those profs who stops talking, stares at you and waits until you get to your seat if you're late. Lucas: I would probably just walk to my seat even slower. ;)
When you let your mind go blank,' he said, 'or when you stop talking for a long time, something happens. Time becomes different. It goes away. It doesn't come back until you start to say something.
There is another side to me which people don't often see, but it's very hard for me to show that. When I do interviews, I'm talking to people I don't know and when you speak to a stranger you don't open up, do you? In my position, people are always looking for something to say about me. And anything I do say, given half-a-chance they'll turn it round into something spectacular so I've got to be very careful. That's why it's only my friends and family who know the real me. Now my wife, Lainya, she could tell you a few stories.
I am an African-American woman of dark skin tone, and there are very specific roles that are usually given to African-American women of a darker hue. Let's start with 'Once on This Island': peasant girl. Let's go to 'The Color Purple': young girl, beaten. Let's go to 'Ragtime': Her baby's taken.
This site uses cookies to ensure you get the best experience. More info...
Got it!