A Quote by Patty Schemel
It's uncomfortable, definitely, but it's also really, really great to talk drums with kids and hear them get excited about music and talk about listening to the drums.
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I love to talk about the drums and music. I started playing drums when I was probably six and played a lot until I was about ten or eleven years old. So, I guess five or six years where I played. I had a drum set at home, and I would just bang on it. I'd even go on the Internet and study basic beats and so forth.
I guess I have some kind of a visceral connection with drums. I'm looking to create music that people can react to viscerally, and people will respond to viscerally. I think that you can listen to music, to a song you've never heard before and not really like it, but also feel like you're responding to it physically whether you like it or not. I think that's a powerful aspect about music, and I think that's something that draws me to drums.
All I ever wanted to do was play the drums; I felt good about myself when I played the drums. So I worked anywhere and everywhere I could lug my drums in.
Politically, I don't care what party you're from, offer a point of view and let's see what happens and really debate the issues rather than use personal attacks. Really talk about it, talk about immigration, talk about education, talk about pollution.
I talk about jobs. I talk about education. I talk about making government work for people. That's really the dinner-table issues that I hear from Michiganders in every part of our state.
A lot of comedians get a bad rep once they have kids and that's all they talk about, and people are like, 'I don't want to hear about your kids!' I'm like, 'Prepare yourselves. That's all I'm going to talk about.'
They all trying to say something with music that you can't say with plain talk. There ain't really no words for love or pain. And the way I see it, only fools go around trying to talk their love or talk their pain. So the smart people make music and you can kinda hear about it without them saying anything.
I hate it when Chuck Schumer and Nancy Pelosi get to beat their drums and talk about what a great day it is for America that President Trump failed - when even they know ObamaCare is a total disaster.
The drums are about gravity. Your hand naturally falls down on the drums as you hit them.
I'll talk all this craziness in my music, but when I have your attention, and you're listening to me, I'll talk about what I want to talk about and what I think we need to address.
I think any information about any type of art form, it's always the right time. But since the last one, I could see there were many things about the culture of DJing that we don't really talk about. We don't really look at how the music is made, how it's conceptualized, how it's put together. We talk about the equipment and the software, but we don't talk about the reasons why we put the music together in the first place.
Schools and parents can team up to find books that kids will really get excited about - that will make them say, 'That was a great experience. Now I know why people get excited about reading.'
I can't get very excited about a musician who can do Art Tatum because I've got the Art Tatum records. I want to hear him take that and do something that hasn't been done. And there's enough of that going around that keeps the music very exciting. There's so many great young players coming out. I think we're in some kind of renaissance, especially in the rhythm section. I mean the musicians on drums and bass and guitar are really trying to figure out different ways to bring a rhythm section together.
I was into music from a very early age, and I was also - I don't really talk about this that much - really into horses. I learned a lot about rhythm and about voice from that.
We don't really talk about music that much, to be honest with you. It's not some I usually - I can't really talk about other people's tracks never mind my own.
I don't really know how to play drums, so I play them wrong. But the pro guys, they never sweat. You know if someone's gone to music school, because they don't sweat when they play drums if they have.
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