A Quote by Pau Gasol

I won't forget the hood. I won't forget the days of catching a bullet on the way to the mailbox or bricks with death threats that somehow made their way through the window.
Forget the times of trouble, but not the truths they taught. Forget the days of sorrow, but not the strength they brought. Forget the storms you battled through beneath a heavy load - but not the light that led you safely down the unknown road.
We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.
The artist must forget the audience, forget the critics, forget the technique, forget everything but love for the music. Then, the music speaks through the performance, and the performer and the listener will walk together with the soul of the composer, and with God.
Forget the image, forget the ensemble, forget the rumours, forget the short skirts, the big hair, whatever! I owe this to the fans and I will never forget you so I want to accept this award on behalf of all of you.
I used to say, for me, writing was like walking a high wire, and heroin made me forget there was no net. Which is a fancy way of saying dope made me forget how shitty I felt for being on dope.
Most of what gets made now, you laugh your way through, go home and forget you've seen it.
When I'm at the premiere and I see the film in its entirety, I forget plot, I forget the story, I forget what my character goes through, because I really do just let it go.
I used to help out my father, a bricklayer, in the summer. I'd catch the bricks (that were dropped). And it made me strong, catching those bricks. I wouldn't change anything about it. That's why I'm where I am today. Really.
I'm a long way from being evicted [at the age of 14], but I'll never forget it. I'll never forget the feeling. I'll never forget my mom crying and I'll never forget the thought I had: 'Well the only thing I can do is just go build my body,' because the men who were successful that I knew of - Stallone, Arnold, Bruce Willis - they were men of action.
The strangest thing is at tea breaks, or coffee breaks or lunch, you forget you're a zombie. And you're talking about politics to somebody at the table and you forget that you have a bullet hole in your forehead.
Don't slip into the traps, and don't forget about your 'hood, the kids in the 'hood. Remember, you're disposable, so take advantage while you can.
When we play, we sense no limitations. In fact, when we are playing, we are usually unaware of ourselves. Self-observation goes out the window. We forget all those past lessons of life, forget our potential foolishness, forget ourselves. We immerse ourselves in the act of play. And we become free.
That is, Jack thought, the way of life. The horror changes us, because we can never forget. Cursed with memory. It starts when we're old enough to know what death is and realize that sooner or later we'll lose everyone we love. We're never the same. But somehow we're all right. We go on.
In the way that women forget the pain of childbirth, men forget that they cry in movies.
Carloads of tourists would photograph the family mailbox, and there was weird mail, death threats.
But when I played Woodstock, I'll never forget that moment looking out over the hundreds of thousands of people, the sea of humanity, seeing all those people united in such a unique way. It just touched me in a way that I'll never forget.
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