A Quote by Paul Auster

I met Peter Brook, the theater director, who's been based in Paris for many years at the Bouffes du Nord. I admire him tremendously. Some years ago, he was in New York, and he gave an interview with The Times, and what he said was this: "In my work, I try to capture the closeness of the everyday and the distance of myth. Because, without the closeness, you can't be moved, and without the distance, you can't be amazed." Isn't that extraordinary?
The closeness of reality and the distance of myth, because if there is no distance you aren't amazed, and if there is no closeness you aren't moved.
Somewhere we know that without silence words lose their meaning, that without listening speaking no longer heals, that without distance closeness cannot cure.
The New York Times published a full-page hit piece with another claim from an individual who has been totally discredited based on the many many emails and letters she has sent to our office over the years looking for work. The New York Times refused to use the evidence that we presented. If they used it, if they would have looked, they would have said, there's no story here.
We can begin a discussion of artmaking by noting that from very early (as long ago as 200,000 years), humans have been naturally attracted to the extraordinary as a dimension of experience and that at some point they seem also to have been moved to make the ordinary extraordinary-that is, to shape or elaborate everyday, mundane reality and thereby transform it into something special, different from the everyday.
I fell in love with New York. I moved here 25 years ago in 1984 after I lived in Paris for six years. In the 1980s, it was the place to be. Here I was able to create NARS, which I would not have been able to create if I stayed in France.
when pain has been intertwined with love and closeness, it's very difficult to believe that love and closeness can be experienced without pain.
This fact was something I also learned from this first novel that I needed personal experience to invent, to fantasize, to create fiction, but at the same time I needed some distance, some perspective on this experience in order to feel free enough to manipulate it and to transform it into fiction. If the experience is very close, I feel inhibited. I have never been able to write fiction about something that has happened to me recently. If the closeness of the real reality, of living reality, is to have a persuasive effect on my imagination, I need a distance, a distance in time and in space.
One thing I really want to do is - I spent ten years in New York doing theater before I moved to L.A. to do TV and film. I'd really like to go to back New York and do some theater.
My happiest times in the theater are when I do ensemble pieces. I really got into theater because of that closeness.
Well,’ I said, ‘Paris is old, is many centuries. You feel, in Paris, all the time gone by. That isn’t what you feel in New York — ’He was smiling. I stopped. ‘What do you feel in New York?’ he asked. ‘Perhaps you feel,’ I told him, ‘all the time to come. There’s such power there, everything is in such movement. You can’t help wondering—I can’t help wondering—what it will all be like— many years from now.
The need here is professional closeness tempered by emotional distance.
We criticize mothers for closeness. We criticize fathers for distance. How many of us have expected less from our fathers and appreciated what they gave us more? How many of us always let them off the hook?
Many years ago... many, many years ago, I brought up a boy, and I said to him, 'Son, if you ever become a writer, try to write a good part for your old man sometime.' Well, by cracky, that's what he did!
We have, without any fanfare or much conversation, moved into a era in which news organizations are expected to explain themselves. Twenty years ago, it would not be expected that the New York Times would explain itself. The concept of what accountability.
Intimacy is not a happy medium. It is a way of being in which the tension between distance and closeness is dissolved and a new horizon appears. Intimacy is beyond fear.
You can't find any true closeness in Hollywood, because everybody does the fake closeness so well.
This site uses cookies to ensure you get the best experience. More info...
Got it!