A Quote by Paul Auster

There are often references to childhood, but they're rarely the focus of the [my] novels. — © Paul Auster
There are often references to childhood, but they're rarely the focus of the [my] novels.
Most of the female 'superhero' role models of my childhood came from novels, and they rarely had powers. Take Dorothy, for example, from 'The Wizard of Oz;' or Laura Ingalls and her sisters in the 'Little House on the Prairie' novels.
One of our fundamental human needs is finding our partner that we hope we will stay with for the rest of our lives. You often find the same search in other genres. The mystery novel has a romance subplot. Literary novels often focus on that relationship but do not often end well.
The Neapolitan novels have a lot of references to things outside, to things of the world, to culture, politics, the city of Naples. People have mentioned that Naples is like a character in the novels.
Do not envy those who seem to be naturally gifted; it is often a curse, as such types rarely learn the value of diligence and focus, and they pay for this later in life.
Even in novels where the love relationship isn't the focus, I feel like it's often there, and the background is some barometer of whether this is a happy or sad story or whether this is a successful or unsuccessful life.
I think it is fair to say that the end goal might be a demand yet your focus when building brands should rarely focus on this objective.
White people use their literature to maintain culture. That's why you find references to Milton and Spencer and Shakespeare and Dostoyevsky in contemporary novels.
There are many reasons I love novels with multiple narratives. In novels where the events are filtered through the consciousness of a single 'reliable' narrator, I often wonder, is this the whole story? What could be missing here?
I can only write one novel at a time. The author of the Perry Mason novels, Erle Stanley Gardner, often worked on four novels simultaneously, and produced a million words a year. I'm envious.
My first record was about childhood. There were a lot of nursery rhyme and fairytale references; it was all about being naive.
When we talk about novels, we don't often talk about imagination. Why not? Does it seem too first grade? In reviews, you read about limpid prose, about the faithful reproduction of consciousness, about moral heft, but rarely about the power of pure, unadulterated imagination.
If the goal is to dramatically improve college completion rates, not college-going rates by itself but college completion, it's not just a college problem. We need a big focus on early childhood education. Our early childhood education system is pretty good in this country. Not enough students have opportunity. And, very discouragingly, they lose their advantage because they go to poor schools after that. So, let's focus on our babies.
With a complicated childhood, you can either focus on the positive or the negative, and I chose to focus on the positive.
Strangely enough, for many many years I didn't talk about my childhood and then when I did I got a ton of mail - literally within a year I got a couple of thousand letters from people who'd had a worse childhood, a similar childhood, a less-bad childhood, and the question that was most often posed to me in those letters was: how did you get past the trauma of being raised by a violent alcoholic?
Revisiting much-loved childhood novels is never easy.
Turning 40 is often a big symbolic point in one's life. In the 20s we feel we can do anything, but as the 30s progress we become more mature emotionally, and in terms of work tend to focus. These two things combined: emotional maturity and career focus, often produced an explosion of self-purpose in our 40s.
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